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miraculousmaladys · 3 years ago

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TFP If You Ship...

Ultra Magnus

I would also like to warn yall, I do roast the shit outta these ships and you. Some of y'all are nasty and need to be told/reminded, and some of you need to stay far the fuck away from me. Aight? Aight lets begin.

MagOp/OpMag/Magnimus/ Ultra Magnus x Optimus Prime: You pretentious bitch. You absolute fucking- I have no fucking words to describe how beige you are. You 're personality is plain oatmeal. Message me. I want to beat your ass. You prolly like them for the fact that they can relate to each other, and because of their importance to the war. But I hate you cause you also have more content. Fuck you. May your cereal turn soggy before you can eat that shit, may your drawing tablet get so hot in that one corner that you can fry bacon on that bitch. Fuck you.

MagMeg/Magatron(ew)/ Ultra Magnus x Megatron: you eat mayonnaise with a fucking spoon. Y'all saw that one scene with them on Darkmount and was just like "hm, but what if fuck?" and ran with it. You went to Ao3 expecting kinky shit, but all you got was stuff for IDW Megs and Mags and honestly baby, its gon' be okay.

Matchet/Ragus?/ Ultra Magnus x Ratchet: Yes we get it, the old man can dom now shut the fuck up. If taking your S/O to the nursing home as a date was a ship it'd be these old crotchety ass bitches. But, but, on a more serious note this ship can be so therapeutic for both mechs. These two were there way before the start of the war, they lived through it, and they knew Optimus all throughout. I imagine Ratchet would tell Magnus about Orion before his ascension to the primacy. I ain't ever been more depressed scrolling through a tag though, y'all broke bitches need whatever the fuck UltraScreen is having.

Magbee/Ultra Bumble/Ultra Magnus x Bee: I ain't ever seen two same heighted Cybertronians in a relationship, always one of'em gotta be spike suckin' height.

UltraJack/ Ultra Magnus x Wheeljack: Listen, listen, both these mechs love their solitary time and it can create so much angst, SO MUCH. Magnus feeling he must uphold his duties and Wheeljack having a mindset similar to a pirate. His spark belongs to the stars AND Magnus, but the stars will always come first. But bitch this is Ultra Magnus. We horny. We know Wheeljack is a fucking brat, and Ultra Magnus is his Dom.... baby we nasty. We nasty and there is no fucking denying that shit my GOD.

Ultrabulk/ Ultra Magnus x Bulkhead: Listen man as crazy as this might sound, I think this could work. Just like any other ship with Bulkhead you are fucking STRUGGLING though dude, you got like 5 fics you keep coming back to. You cry at night, knowing, and praying, that the gods will smile upon you and bless you with an update. You know you struggling when you only got three fics that have this ship as the focus. If y'all ban together I'm sure you can scrounge together like three pieces of fanart and a lint roller between the four of you.

UltraScream/ Ultra Magnus x Starscream: I don't see how anyone could hate this ship. Like, they literally work as really good foils to each other. You've got Magnus who is loyal as fuck, very militaristic??? And very much involved with the safety of his team. He's described as recklessly brave. Starscream on the other hand has a lot of character to work on and Magnus could help him along with that, and he can teach Magnus self preser- fucking-vation because Mr. "gets fucking chomped by a predacon for another bitchass Autobot" needs it. You're fuckass wants someone to save you, or you want to go absolutely apeshit. You are the mom friend everyone is worried about.

Ultracee/ Ultra Magnus x Arcee: Huh?? I mean like....Okaaaayy?? I mean good for you. This ship makes me feel the way that you feel when someone offers you candy you don't like, but you wouldn't mind eating it so you do. To be honest the people who ship this definitely see diamonds in places others wouldn't expect, but like you're so fucking unnessecary oh my god. Like you prolly add weird ass comments to other peoples statements, ain't nobody out here asking for an echo. Sit down.

UltraShock: ya like'em thicc don't you commanding officer Ultra Magnus? Anyway maybe y'all could team up with UltraBulk shippers and add a pile of used soda cans to the pile. Y'all are ghosts, do you even exist on this plane. My guesstimate on how many people actually ship this forreal is like 5.

Ultrawave/MagnusSound/Magnus x Soundwave: Listen if the Ultrabulk shippers are starving y'all ain't even corporeal. I show up to this ship with a fucking ghost talk box and some heat sensors, and like one boombox tryna see if GHOSTS even inhabit this bitch. Y'all aight? Are y'all good?? HELLO IN THERE (hello in there) (hello in there). Yall really go all out for the goth shit. Prolly hidin' in the shadows of my house waiting to strike.

Ultrascreen:

You, and I mean this in the most (derogatory) way possible, are a fucking

HOE

Literally looked on AO3 saw nearly NOTHING BUT kinky MF PORN. The oooonly plot y'all got is exactly how long Ultra Magnus can deny Smokescreen an overload. Why every time it comes to Magnus people make this by the books vanilla bitch the kinkiest one. YES I love subverting expectations but can I PLEASE get one fic where he sputters because his partner says a bad word. These two are the main ones who get this treatment, and baby I ain't complaining, but please. Please just- please sir I-I a-ah!

Ultradown: The UltraBulk, and UltraWave shippers come here every year, at the exact same location, at the exact same time, all for this ritual. The UltraWave shippers take out a boombox, some energon candies, and a supersized Cybertronian false spike. The UltraBulkers begin to sing the incantation to summon their fallen comrade: https://youtu.be/m9We2XsVZfc. They must do this once every year, they must battle the UltraDown shippers, though most would say they are a myth, the UltraShock and UltraWave shippers know better.

MagnusOut/KnockMagnusOut?/Ultra Knockout: Listen its not as horny as Smokescreen but the constant tension is definitely there. Knockout is just as horny as the depressed, RE-pressed ass Magnus fans and can you really blame him? Boyfriend? Dead. Magnus? kinky. Hotel? California.

/If I missed any let my gay ass know. Sorry if this ones lackluster, but some of these ships don't even really seem to have a fanbase?? Remember that these are TFP ships y'all.

Also I better see more Bulkhead content after this. Do you all have a problem with truly thicc bootyful babes or what?

#Ultra Magnus #transformers prime #TFP if you ship #Ultra Magnus x Optimus Prime #Ultra Magnus x Megatron #Ultra Magnus x Ratchet #Ultra Magnus x Bumblebee #Ultra Magnus x Wheeljack #Ultra Magnus x Bulkhead #Ultra Magnus x Starscream #Ultra Magnus x Arcee #Ultra Magnus x Shockwave #Ultra Magnus x Soundwave #Ultra Magnus x Smokescreen #Ultra Magnus x Breakdown #Ultra Magnus x Knockout #valveplug

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divine-motion · 4 years ago

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don’t fucking interact if you ship t/cest and minor/adult ships

more shitty phone photos of sketchbook sketches for my tmnt fan incarnation/tmnt 2012 rewrite bc i have no shame and i’m having fun with it! pictures should have captions since i spent time writing them out, but tumblr might mess it up, so in case captions doesn’t work: 1. left to right: leo, donatello up, raphael down, michelangelo 2. Casey Jones up top, April O’Neil to the right, donatello in the middle and karai at the bottom 3. casey and don again, raphael to the left, mikey at the bottom just bc i liked how their their expressions turned out and didn’t want a bunch of negative space so don and case appear again 4. size chart featuring turtles. left to right: leo, don, mikey, raph 5. sketchy Slash design. big boy.

general thoughts character stuff below the Keep Reading. A Lot of rambling below so beware!!

April: 15 years old, trans and bi. local fifteen year old telepath finds out that not everyone is able to feel what other people are feeling, something she’s been able to do since she was six after she played in that one weirdly glowy puddle (early Kraang mutagen attempt that only managed to mutate April in the sense that it gave her telepathy, was originally intended to make humans become part of the Kraang hivemind). she’s largely unfazed by the existence of mutants and aliens, taking it in stride, and finds out about the Kraang - and meets the turtles - while snooping around TCRI business (aspiring journalist that she is) and accidentally witnessing the mutation of Snakeweed. her telepathy, which later as she grows in power alongside the turtles extends to telekinesis and basically possession, is very useful whenever she gets into a scrap since she can predict what moves her opponent will make, thus letting her dodge their blows effectively. personality wise she is a very determined and driven young girl, incredibly curious (and cannot mind her own business, she wants to know all the drama while not having to be part of it... which makes her very fortunate to be a telepath. listen she’s 15 she’s allowed to misuse her powers a little bit. as a treat.), playful, and cheerful, and she’s an extroverted autistic. in her spare time between her studies, she likes to play bass, sing, read, and write. that, and investigating whatever shady business is going on in town, and she makes it very clear to the turtles that even if they weren’t going to deal with the Kraang, she’d continue to try to stop them herself. she would like to not live under the threat of her or her loved ones getting mutated, thank you very much! and, you know, it’s kind of exciting. kind of.

i know it’s bc i have brain issues when it comes to parent figures but i am very much leaning towards Splinter not being... a good dad. i don’t think 2012 Splinter is a good dad anyways but i’d probably amp it up, make him a mix of 2012 and idw probably. i’m still mulling it over but like, remember in the season 1 finale when leo is watching his show and thinks the captain guy making a totally unnecessary sacrifice is a heroic move, and then Splinter tells leo (his fifteen year old child) that leo should know what or who to sacrifice, more or less telling him to sacrifice his brothers’ lives, potentially?? i know there was a lot at stake but hello??? i remember watching it and being like me: ah i see, this is showing that splinter is wrong and there is no need for any sacrifices as seen in the show when the captain Goes Down With His Ship for no reason other than just sacrificing himself, and leo will see that- leo: *tries to sacrifice himself twice in the finale, both times being kind of unnecessary/seemed like if he had just hurried or done something slightly different there would be no need to stay behind, and he gets out fine with no consequences, seemingly no injuries, and does Not learn anything, his brothers don’t even get sad when they think he died or get mad at him for pulling such a dumb move) me: surprised_pikachu.jpeg

like that moment haunts me. has any other splinter told their sons to sacrifice himself or his brothers? has any other splinter put that on them??? idw doesn’t count if he has bc he’s more explicitly supposed to be bad so???

sometimes writers think they’ve made an uncle iroh but they really, really, really haven’t. also his backstory is the same as in the show

anyways. Donatello: 15 years old, bog turtle, nonbinary (he/they, doesn’t mind being called brother but doesn’t like to be called “boy” or “girl” or whatever), bi. he isn’t in love with April. no creepy incel shit here. donnie is instead more like a mix between his Rise and 2003 self. he has trouble expressing himself and is pretty introverted, but he is very altruistic, kind, and compassionate. a lot of his inventions are made to help people and he was driven to learn about science and engineering because he wants to find a way to reverse splinter’s mutation, to give splinter his life and humanity back. he feels like he needs to know if splinter would just abandon them if he wasn’t a huge rat man, needs to know if there’s any part of splinter that blames them for being constant reminders of his mutation. other than that, he also likes to make inventions because he’s a dreamer and wants to experiment to see how much of the unknown he can push beyond. also, the best liar out of the turtles. also fairly good at compromising and prefers to solve conflicts without violence he can get a little... “obnoxious 15 year old genius” at times. even when he’s helpful it can come off as a bit “poor dear isn’t as smart as me”, and while he usually gets along well with Raph, he doesn’t handle Raph’s temper well at all (calls him “Wrathael/Wrath” and thinks he’s being super clever) and gets really dismissive of Raph’s “outbursts”.

Michelangelo: 13 years old, diamondback terrapin, unsure about the gender and sexuality thing but he doesn’t think he’s exactly cis and definitely not straight. a bouncy ball of sunshine and surprising emotional maturity and emotional intelligence! more so than his emotionally constipated brothers, at least. it’s on his thirteenth birthday (it was leo’s idea for them to pick dates that would let them have their own birthdays instead of sharing the “Mutation Day”, Mutation Day being another special “holiday”) that the Plot would be set in motion, as he’s finally allowed to go to the surface same as his brothers, and on this first night out they meet April and the Kraang and other mutants. he is a goof still, but he’s capable in his own right and gets frustrated when people treat him like a baby or an idiot because he’s not. he doesn’t always treat everything with the seriousness it should but like. he’s thirteen, he’s having fun. even so, he’s very insistent of taking responsibility whenever he does do something wrong and gets mad if someone tries to take the blame for something he’s done. definitely the most compassionate and empathetic out of the turtles, he’s quick to make friends and is very persuasive due to his earnest nature and good heart. much like donnie, he prefers to solve conflict without violence but does enjoy knocking skulls a lot more than donnie. unlike donnie, though, he is almost overly forgiving and not petty at all. he’s well aware that his kindness and forgiveness may be taken advantage of, but he still likes to approach people with an open hand, even if he knows that it may end up getting bitten. oh, and his hobbies include drawing, cooking, singing, and dancing. he likes to express himself!

Raphael: 14 years old, mississippi map turtle, trans, bi. all his fury is compressed within his tiny body, that’s why he’s so angry all the time! no, he’s not angry all the time, but he does have a short fuse. he absolutely hates his anger issues which leads to a lot of self-loathing, and a lot of frustration as his family members either don’t take his anger seriously or don’t have the tools to help him with it. he’s the physically strongest out of the bunch and the least agile. he loves animals and plants a lot and keeps a lot of flowers in his room, hoping that he can one day become a gardener. as his idw self, he wants to watch things grow, but no matter what he does he seems to be best at destroying things. he’s also the one most self-conscious about how the human world perceives them, as he greatly fears rejection, and is the first one to see something positive with people getting mutated - namely, that maybe this way mutants will be more well known and finally accepted by society, so he’ll no longer be trapped in the sewer until the end of his days. so yeah, he’s a huge optimist, in truth. also he’s great at knitting - great at creating and taking care of things in general - and there’s no leo and raph rivalry this time around. he can get mad at leo but not really more than he gets with his other brothers.

Casey: 15 years old, nonbinary (they/them), bi. teen vigilante who gets inspired to fight mutants and the big time criminals (no beating up pickpockets or shoplifters or whatever, just the ones that are really hurting people) and gets roped into the turtle fam after meeting raph and becoming unexpected friends (everyone was expecting it, once Casey realized that mutants are people and not weird monsters. well, not all the time, anyways). they struggle a bit in school not because of a lack of trying but a lack of time, as their parents work full time jobs and someone has to take care of casey’s little sister. their parents are very loving, but they only have so much time, so casey takes it upon themselves to take care of their little sister when their parents are busy and/or burned out from work. that, and they run into the classic dilemma of vigilante work clashing with school work. as always, they have a short fuse, they’re pretty cocky, they like beating ass, and they like hockey a whole lot. hockey, vigilante work, school, and taking care of their little sister... yeah, they have a lot on their plate. oh, and making their little inventions like the taser glove and their puck bombs, something that they bond with donnie over.

Leonardo: 17 years old, Central American wood turtle, trans, gay. he doesn’t fall in love with his sister oh my god. ahem. so, leo is raised from the start to be a Leader and has to mature very quickly, learning to be an adult way earlier than he should’ve, and as such he is very stoic and quiet, and doesn’t seem to have any hobbies, instead just doing chores and training almost constantly, and when he’s not doing that he’s reading or sleeping in his free time. he’s incredibly protective of his younger brothers and his other allies/friends, even if he acts distant and detached most of the time, and removes himself from situations where they’re having fun to not be the stick in the mud. he loves his brothers and admires them greatly, believing they could be So Much if the surface world would just accept them, and as a result he tries to be The Soldier so his brothers won’t have to. alas, they still get caught up in the Kraang and Shredder business, which frustrates him internally. he is the best fighter out of the turtles on account of having more years to train (and convincing Splinter to wait a few more years before they got Real training bc Come On Dude They’re Kids) but it’s the Only thing he’s good at, along with stealth and his sharp eyes. he absolutely sucks at talking when it isn’t about a mission or something he can script easily in his head. in his mind, he’s supposed to be more of a weapon than a person, an idea that isn’t exactly encouraged by Splinter... but not exactly discouraged either. his arc would be very paralleled with Karai’s, as they would both learn to hate their dads... also, absolutely down for murder, and a lawful neutral at best, putting his family and friends’ safety above all other things and following a strict personal code. doesn’t care too much for society’s laws, though.

Karai: 16 years old, demigirl, lesbian. same backstory as in the show, she’s born as Miwa but gets taken by Oroku Saki and raised as his daughter. however, she doesn’t exactly want revenge against Hamato Yoshi because she believes that he killed her mother. she never knew her mother, so it’s much more difficult to hate someone for taking her mother away, even if it does mean that she never got to know her mother. especially since her father rarely spoke of what her mother was like, and much more about how much he hates Yoshi. instead, her need for revenge is more for the possibly idyllic life she was robbed of, since she believes that maybe, just maybe, her father Saki would’ve been a kind father that would’ve let her have a normal childhood and not be molded into a warrior from the start if her mother still lived. and hey, maybe Tang Shen would be a nice mom too. being trained in the art of deception, Karai has a tendency to talk a lot and say very little, or at least very little that is true. she is rarely ever sincere and acts as if she’s taking nothing seriously, which is part of her defense mechanism to never let anyone close or see her true self. she mocks pretty much everyone, ally and enemy alike, but especially likes to make fun of her father’s henchmen and is always the first to point out their failures. while she does value honor to some extent, she is a bit “flimsy” when it comes to loyalty, especially after the truth about her father is revealed. when that is revealed, she at first just feels very numb, learning that not only has she been nothing but a tool and a weapon for the Shredder from the very start, but also that the idyllic fantasy where her mother still lived, perhaps her life wouldn’t be so different after all. she looks at leonardo and sees a reflection of herself, that her “real” father chose to train his sons the same way the Shredder trained her. she feels stupid for feeling like she’s been robbed of even a fantasy, but it still enrages her. of course, this also inspires her to stay with the Foot Clan... just to get the kill on Shredder.

... yeah. that got long. ahem. i’m very passionate about this unfortunately!! anyways i might draw/write more for it because no one can stop me and i’m having fun

#tmnt #leonardo #donatello #raphael #michelangelo #april o'neil #casey jones #karai #tmnt 2012 #tmnt au

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polishtamales · 5 years ago

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It Started with the Hawkeye Initiative & Ended with Safespace & Snowflake: GAME OVER

This is how the comic book industry dies. Or is it a dawn of self-publishing?

If it wasn’t for years of horrific ad sales, it was definitely insulting the vast majority of it’s consumer base. Or more specifically for Marvel’s case, CATERING AN ENTIRE MARKET THAT DOESN’T BUY COMICS IN THE FIRST PLACE. Regardless of intentions, YOU CANNOT MAINTAIN A BUSINESS OF CONSTANTLY FLIPPING OFF YOUR FANS AND EXPECT THEM TO PAY YOU FOR YOUR VIRTUE SIGNALING.

There’s a difference between being progressive with fiction and being a radical activist for the sake of retweets and likes, followed by a selfie for more self-esteem boosts. In a society where there’s no turning back from capitalism, money is your God, whether it’s right or wrong. You could suddenly be hit with a car and you better damn respect that the more money you have, the more likely everything will be fine afterwards. It pays the bills, it puts food on the table, and you better understand, it’s not going to change, outside of an act of God or Aliens simply invading our planet and enslaving humanity. Your pick.

It’s no secret that working in comics sucks, regardless of country. The pay is bad, the deadlines are killer and it has always been the least practical way of storytelling for a mass market, especially in America. Case in point, you don’t really need a colorist, a letterer or anything else, outside of a distributor (RIP DIAMOND). Anyone with a graphic design degree knows, you can easily be a one-man publisher without the need of an entire crew of mouths to feed. Not saying it wouldn’t be helpful, but given the future economy, it will be the norm.

See, the old buzz word of digital publishing really is a big deal, especially when it comes to the incoming job market change. No longer can you simply “specialize” in just one area of expertise, but you will be expected to fill in multiple roles to be successful. Even if time is against you in certain projects, it is entirely possible to save more money by just doing everything yourself. Here are the major hurdles and solutions to creating a new comic in the new landscape of comics next year:

1. STORY - This is where EVERYONE gets it wrong. Do not follow the trend of IDW publishing by planning out an ENTIRE world building graphic novel that will span DECADES.

Stick to what exactly you’re good at telling. Tell a short story. Polish every line of dialog. Make it shorter. Polish every line of dialog, make it shorter.

Third and most important advice is leave politics out of your story, unless it is about politics. Most older women buy trashy romance novels to escape their shitty sex life. Most middle-aged men by comics for the tits and ass and possibly the articles? Again, all ways of escape reality, yet you have Marvel comics for years that kept interjecting real world politics and views in their titles. Trust me when I say this, less than 10% of the United States is on Twitter. That means most people could give two fucks and a shit about Trump, Biden or Bearnie, BELIEVE OR NOT. So when most of America retreats after a long day of work and not TWITTER, they are spending money on things to make their lives tolerable. Being told Orange Man Bad is not one of those things, nor is bringing up Obama, again and again. Don’t make market assessments based on social media, leave politics out of your comic. Additionally, learn about basic story telling and especially learn from other mediums outside of comics. Films and actual books will teach you a lot about pacing. You can learn basic writing skills by taking a community college course or higher. The goal and mindset should be to be humbled and not a place to be bitter when you get criticism.

2. ART - KNOW YOUR AUDIENCE. If you’re catering towards a WOKE AS FUCK CROWD OF TRUMP HATING LIBERALS, make sure you book will actually sell and not retweeted... Simply collecting a check and going unemployed for months on end is not an actual goal in life, much less beg your followers for coffee money. Example, see the animation industry.

Art is your mode of presentation, the book cover (not literally), the point of sale. If you want to cater towards a crowd of people of color, who happen to be gay, trans, and dealing with PTSD, etc, then make fucking sure your art matches with the story. You cannot have “tumblr” artists doing action intensive comics, where they spend more time creating people of color of diverse identity politics, than learning to draw a simple choreographed action sequence. You can’t have an action comic with ONLY 2 small panels of action to sell your comic. Again, no shame or secret to point out that the VAST majority of comic sales are made off of issue #1s and tits and ass. Disposable income of middle-aged men cannot be underestimated, regardless of what cherry pick data you want to argue with. The older you get, the less progressive and liberal most Americans become as well. That’s called “reality” of real politics. So my advice, if you’re into action comics, learn to draw action, learn about the demography that buys those titles and don’t interject your politics in it, especially if you want to put food on the table. I’m not telling anyone to suddenly put Trump as the “good guy” president, but I am telling you that you shouldn’t include real world politics in your comic. You’re not offending either side of the political spectrum, IE, you’re not insulting your customers.

If you want to make a rom-com comic like Archie, sure those years of learning tutorials off of tumblr might pay off, but again, know your audience. Archie continues to sell steadily with a profit from the boomer generation, white women (vast majority), Christians, etc. Don’t expect your rom-com comic of a gender-less trans-protagonist that may or may not want to be dependent relationship with another person of color. You see where I’m getting with that? You’re welcomed to write and draw a book like that, but don’t expect anyone to buy it. Getting your book retweeted by your favorite SJW, doesn’t mean sales, it just spells virtue signaling for them.

My advice in the art category is DIVERSIFY your portfolio. Don’t just learn off tumblr. That boat has sailed and failed, as seen with every sale of tumblr picked artists at Marvel. Go out there (when the virus gets under controlled) and learn to draw from life. Don’t worry about gender, people of color, none of that stuff. Draw stuff that you actually care about and not for political points with your peers. If you wanna draw short men struggling to open a can of coke, then draw. If you wanna draw hot women, draw hot women. You wanna draw a cute tennis player with short shorts and looks like Swedish male model, then pack some sun screen. You’re not looking to be judged, you’re not looking for internet points of how woke you are. You are simply expanding on things that interest you and how it will indirectly help you grow.

Think Mr. Miyagi, but do it 80,000 times. You’ll master drawing short men struggling to open cans of soda!

When creating the art, DO NOT THINK ABOUT COLORING. It is way more profitable to create BW comics than color. Not only do you save money printing, but the amount of time you free up helps you to micromanage yourself better.

3. DIGITAL PUBLISHING - You don’t need anyone else if you have a computer and some basic digital programs. Once you understand how to write a short story, present marketable characters, then you’re set. The only enemy is time.

Learn Adobe Illustrator and Photoshop for art. Learn Adobe Indesign for lettering, page layouts, etc. A few talks with a local printer and you can independently self-publish any book.

So to sum things up, learn to self-publish, respect your readers and the politics/baggage that industry houses and understand that things revolve around money. If you want to be a stereotypical far-left wing tumblr artist that wants to create a superhero of a trans-black girl/binary that may or may not want to be involved in a relationship with another binary/trans person, which could be their sister/brother/internet gas, then by all means make that comic. It won’t be profitable nor will it sell compared to other titles, but I guess you can’t claim victim-hood without a self-afflicting handicap and an arrow to the kneecap.

After all, Marvel’s done it for years without profitability and look where the industry is headed towards... This was all pre-Covid-19 mind you. The virus, if anything, is just the nail on the coffin after Diamond distributors quit. The comic industry might be dead, but books as a medium will never die.

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spockandawe · 6 years ago

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Starscream ;p

THERE HE IS!!!!!

First impression: I can’t actually remember a time when I wasn’t at least aware of what Starscream was? Even before I consumed transformers content. I think that for a while I wasn’t sure what the appeal was, like yeah, okay, I kind of get it, but why do so many people like him so much??

Current impression: Oh my god, he’s such an asshole, but he’s got so much potential, and (in idw at least) he’s trying SO HARD, but he also poisoned the well so very hard before he tried to turn over a new leaf. He’s fucked up enough to completely isolate himself, but he’s also been through some serious shit, and even if it’s a combination of his own actions and other people’s actions, it’s so painful and tragic to watch him struggle to tread water knowing that most people in canon will... just watch him struggle. And if he ever does sink beneath the waves, knowing that he doesn’t have any kind of safety net he can trust. I’ve very rarely been so anxious over a character’s future as I’ve been when it comes to him, and I want him to find stability/happiness so badly.

Favorite moment: AAAAA, oh man, okay. Two main contenders. Which go together. First, spotlight: megatron. When he’s just so... shattered. And then Megatron keeps punching. The bit where Starscream is like ‘just end it already’ and Megatron is like ‘nah.’ Megatron pounding his face into the rocks. The whole thing. It wrecks me. And then, in Windblade’s mind. When he comes for her, and Vigilem is waiting. Vigilem taps into those memories of Megatron and takes him apart so easily. And even though Starscream has done so much to drive away everyone who might support him, Windblade still saves and protects him. She’s got every reason to hate him, every reason to oppose him, but at that moment, she still puts herself at risk on his behalf and openly acknowledges things about him worth valuing. I’m not doing that scene justice, but I love it so much.

Idea for a story: I still want to write a sequel to the vigilem mind-meld fic I wrote, where vigilem reenacts spotlight: megatron, merged with starscream’s coronation, in front of windblade. At the end of the story, they’ve each got half of Vigilem split across their brains, and Windblade has had a front-row seat to some of Starscream’s most painful memories. He’s got every reason to react violently/murderously to someone with that kind of leverage over him and a hostile titan in her brain, but he’s also had an involuntary front-row seat to seeing her very genuine, supportive intentions. And Vigilem is fucking with both their heads, so he’s going to derail any ideas about killing Windblade, but still :P I want them navigating the complicated political world they’re dealing with when they’re both compromised with a hostile(?) presence in their minds on top of everything else. Starscream won’t communicate his vulnerabilities unless he’s absolutely forced to, and...he was absolutely forced to :P The situation is therefore ideal (for me)

Unpopular opinion: God, I’m so bad at this question. I mean, I think starblade in general is kind of an unpopular opinion, but I’m really picky about the dynamic I want for it. It doesn’t feel right for Starscream unless it’s prickly and combative and it’s a struggle to work things around to an even slightly trusting place. He’s used to megatron digging into vulnerabilities and twisting, so I’m most drawn to ships where he’s with someone gentle and easygoing where the feeling of ‘safety’ is so persistent that he eventually starts believing it (wheeljack), or ships with someone who will fight him endlessly, on any front, but who always, always pulls up short of real fighting, or real attacks, and never fights with the intention of hurting (windblade). I mean, it’s pitchrom. I know there’s starblade out there where the softness comes so easily I think would feel uncomfortable to me given their canon dynamic. But I know there’s an annoying number of people who are like ‘bluh bluh any starblade is abuse apology’, and I’m just glad I don’t encounter them in the wild very often.

Favorite relationship: ......................starbladejack :V I mean, I’ve got my verse, I’m working on a fic for that verse in another tab right now, I’m pretty darn invested in this. I get starscream the softness I want him to have, and I get someone for him to fight with who keeps not hurting him, and who’d be horrified to know the details of his past that have him so reluctant initially to let things with her go anywhere. I’ve got this silly fic I’m working on, then maybe one more nothing fic to advance character, then I get to write a big plot-oriented story that really underscores why wheeljack and windblade are both valuable parts of starscream’s life and how they sincerely care and don’t plan to betray his trust.

Favorite headcanon: Hm. FAVORITE. Favorites are hard. I think... In terms of where IDW went, I’d very much like to explore more about the cold construction dysphoria and the ‘true form’ starscream and what that means, especially since windblade describes it as a product of everyone he’s met and who has shaped him up to this point in his life. Not necessarily someone drawing out the body he totally would have been forged with, but the body that feels the most him to him right now. Canonically (or by artist :P) he already changes frames often, I think that angle on his character is really interesting and I’d just love to see more people feel it out from more directions.

#spock replies #ask memes/#starscream #starbladejack #transformers #Anonymous

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megalavenderemi · 5 years ago

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IDW2

I guess nows a good time to make a little "thoughts about" on the second interation of IDW's Transformers comic now that the first 12 issues have been out for a while.

First things first. I get that this is a new world and it has to set up its premise and rules, but oh my goddamn the first 12 issues are nothing but a long long exposition dump. I hate that aspect. It doesnt help that a lot of the dialogue feels like theres little character and is so almost textbook sounding. Everyone turns into a walking wikipedia article and are talking in a way that only english majors would. God, Nautica is the worst offender of this. I had to re-read so much of her dialogue to get what she was actually saying.

And with Nautica comes another gripe I have: cybertronians actively interacting several organic species. Nautica is somewhat of a specialist on organic life and the rest of Sentinel Prime's crew travel the galaxy and interact with organics. Now the concept itself isnt bad. Organic interaction isnt a negative and can lead to big crazy things like TF Vs Visionaries. But in IDW2's case, I feel like it doesnt go anywhere. Now it may be because I might have missed it in the dialogue somewhere, but I dont think there is any real legit stated reason organics live on cybertron and in cybertronian society. I wouldnt mind coexistence where organics work with cybertronians and get help out with use of alt modes, but thats not happening. The aliens just live in separate areas from cybertronians and dont do anything.

My last issue I have is the art. Now I really hate that I dont like the art. I am just not the biggest fan of Hernandez's work. She draws everyone's face so flat and stoic. The intensity of some situations is no way reflected on peoples faces. Speaking of intensity, WOW is it just me or does the panneling of action scenes feel not that great? Its like it lacks that dynamic feel and makes actiony sitiations feel not as important. And this isnt Hernandez's fault, but the color palletes feel so one-toned to me. Everyone feels like they blend together which is probably on purpose, but as someone used to Lost Light and Optimus Prime with their varied pallettes and striking colors respectively, IDW2 feels lackluster in comparison.

Honestly im just glad things are FINALLY starting to get into gear with issue 13. Im super excited for Megatron's involvement with the Rise to be found out and the full blown Autobot vs Decepticon war breaks out. Could the events of issues 1-12 have been condensed? Yeah definitely, but now that we're past that, its gonna get so much better. Bring on Rung, the cassettes, Constructicons, Wreckers, and everything else in store.

#lavender rambles #transformers

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primeadv · 6 years ago

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SITS DOWN

PULLS OUT 10 GIANT ALBUMS :)))

(this came out way longer than I intended im so fuckgkdsdf sory)

How I feel about this character: EVERYONE WHO KNOWS ME KNOWS I’M IN LOVE WIHT RATCHET. I love him in all iterations of Transformers because he’s always the tired, pragmatic one of the group. In contrast, he’s also almost tiredly optimistic in some ways. He won’t get out of bed, but if someone gets shot in the head he’ll spend however long and beyond to resuscitate them. There’s 2 halves to this--the me who identifies with the beating exhaustion he exudes, and the me who’s in awe that he’ll still fight his way through life. I won’t... get into each continuity...because that’s too much, so I’ll stick with probably the most unpopular version of him and that’s IDW (my impression, anyway). IDW Ratchet gets a lot of flack for being way too sour and like, maybe not selfish, but uncaring. He cares! A lot! He’s always thinking about everyone in really surprisingly thoughtful ways. Like when he’s 90% sure he’ll die due to Overlord and his last words are to promote First Aid to CMO (he’s ready!! god that’s sweet), and to give his hands to Whirl (though maybe a bit blindsided, he’s paid attention to some roots of Whirl’s trauma). Or yeah he’s hella mean to Drift in the beginning, but when Drift is dying in his arms he’s scREAMING at him “you’re gonna make it! You’re gonna be fine because I’m gonna make sure you’re gonna be fine”. He can be an asshole, but he knows the time and place. Death isn’t something to play with--he’s seen probably countless friends die, and he doesn’t want that to happen again. Even now, even after the war. So I feel very confused when ppl act like he’s this mean, cold person. He’s exTREMELY emotional. He’s probably way too invested in everyone’s lives, honestly? He interrupts a round table story for Rung just to reminisce on the veery last time he, OP, and Roller were together in the same room (not even hanging out or anything, just being together one last time. who remembers that after 5+ millions years??). He started an illegal clinic in the bad part of town because he wanted to put his skills to better use! Like! LOL. ALSO, a point that i think is unfair is that ppl think his atheism is just really mean. IT is! But I think it shows just how much of an emotional and extremely, deeply hurt person he is. It gets aggravating when he’s condescending of religion, because there’s no simple logic to it. He reacts the way he does because he’s a hurt person who’s gone through years of trauma and this is his way of coping. Is it healthy or right? Nah, but it’s humanizing. It’s why when he becomes closer to Drift he occupies this weird between space where he snarks but also tries to indulge more in perspectives outside of his own in his own dumb old tsundere way. He’s a person who believes in justice, ultimately, and religion to him doesn’t fall under justice. ALSO, can I say that his inability to say good byes is so.. like relatable? I have rly bad social anxiety, and so I’ve definitely ghosted people who’ve been nothing but really supportive for me. It’s not because I wanted to burn them, but it freaks you out needing to, not even say goodbye, but communicate with ppl. And for Ratchet--how many times was he FORCED to say good bye to friends + patients who were dying beyond his help? Maybe, if he could help it, he doesn’t want to say goodbye. And it’s tragic the times he’s just left, these were people who ended up either dying for falling astray into insanity, i.e., beyond his help. But he learns. He chases after Drift, who he actually said, in a way, good bye to (helping him off the floor after being attacked, also I should point out that a very tiny handful of people were comfortable interacting w/ Drift at all, and how much Ratchet just doesn’t give a shit abt how other ppl think abt him. he’ll help drift off the floor bc t’s the right thing to do). He says goodbye in his old dumb way--First Aid calls him out on it. ALSO his trust in First Aid is super cute. ALSO he’s like.. genuinely nice to Ten (he helped him get a date with Minimus!!!). And he’s not afraid to call out on other ppl’s bullshit (telling rodi straight you dont deserve to be captain which, at the time, was really true). He’s also SUPER smart. Also there’s that post on tumblr that pointed out that Ratchet immediately goes to deescalate conflict. He’s willing to put aside pride and anything if it means ultimately coming to a resolution where EVERYONE involved is safe. The only time he doesn’t is FUCKING OVERLORD who he rightfully, immediately, tries to briefly incapacitate to lockdown his medibay (protect patients/information). Ok I gotta stop I can go on forever just going page to page. Also, despite my love, I can totally point out his flaws. He’s grating when it’s unnecessary, he’s abhorrently bad at communicating, he’s privileged, he’s narrow-minded at times, etc. ec. But again what I love about him is that despite all that, he’ll throw his own self out the window for others’s well-being bc he genuinely, genuinellyyy cares about other people. If only he could care for himself //cries All the people I ship romantically with this character OH god... everyone. He’s my bicycle. ok look, ya’ll know I’m an intense dratchet shipper and I could literally write a god damn essay. ... here’s another essay???!! So, I’ma be real, I wasn’t a super dratchet shipper before. I wasn’t anti (i have no notps), but I was just “yeah they’re cute i guess haha”. But 99.99% the reason why I ship anything is all for super cute adorable fanart. and I kept drawing them because 1) ratchet’s my fav, 2) drift is super popular so I figured I should learn to draw him. And they became the only 2 mechs I could draw. I used to be way more into Scavengers + megarod. I used to only like 1 dratchet fanfic and that’s bc it was less romantic and more plot centric (still a fav tho). Then I kept seeing cute fanart, I would read posts by other dratchet shippers too about what makes them so nice? And I was yeah.. oh yeah. And it doesn’t help that in Lost Light, drift is CONSTANTLY by Ratchet’s side. He’s constantly checking up on him and holding him and touching him, like as if Ratchet is the thing that he needs to make sure, at all costs, is safe. In Drift’s life, Ratchet is the one who appears to him when he needs support the most but is in the most denial of it. When Drift is at the brink of death, overdosed and about to be broken apart and Orion brings him to Ratchet’s clinic. Ratchet patches him up pro-bono and tells him that he sees something special in him. like??? can you imagine how that feels? To have no one believe in you--you don’t even believe in yourself, and yet here’s this person who tells you “you’re gonna be great”. And it totally doesn’t hit Drift in anyway, at least in a way that’s tangible to him, until much later in life. Or maybe it does (hey, how do you weave character narratives when it’s been written by like 3 different ppl shrugs). And that statement means 2 different things to them. To Drift, it’s a reminder that he’s worth something, even if it’s a sliver of nearly nothing to hold onto. To Ratchet, it’s a reminder that the greatness he saw led to the deaths of thousands of people. HEY can you imagine this person you saved, patched up, tried to encourage, ended up being a mass serial killer in the future? (have you ever read Monster by Naoki Urusawa). Ended up killing people you loved? So it’s no wonder that a good part of Ratchet is absolutely mad at Drift. And I think if that was all, they probably would’ve ended up being amicable. But Drift also ended up being super religious and seeing the hand and primus in everything and oh my god is this person really waxing poetry on the value of life when he, himself, shot several bullets at me at one point? I also believe they are uncomfortably similar as they are different. The reason why they constantly butt heads is they’re two people trying to escape a past they don’t want and found complete opposite ways to cope with their losses. Drift found religion, Ratchet is gratingly pragmatic, and they see each other and go “how could this guy choose to be this way?”. I’ve heard ppl like to cite the annual as the reason why they could never work out. BUT, can I point out, that they act around each other in a way they don’t with anyone else? Drift gets SO MAD. Ratchet gets extremely talkative and incredibly personal (pulled out an electro slug from someone’s spark, holy shit that fucking traumatized you didn’t it??). They challenge each other emotionally, and it’s so fucking difficult bc they’re both extremely depressed and suffer from PTSD and would probably rather just go on their dumb space adventure and look at stars--take 2 emotionally constipated idiots and you get them. And hell no, don’t tell me Drift is in-tune with his feelings bc he’s 10000% not. He uses religion to cope with a past and life that he doesn’t want to think about. He tries to re-contextualize himself because he hates who he is. OUCHHH. And Ratchet MAKES him confront the parts of himself he hates--bc Ratchet has seen his worst traits and isn’t afraid to make him think about it. So why do they work out eventually? They realize how important they are to each other. Delphi, Drift saves Ratchet’s life while he’s barely holding onto his own because he probably feels like he owes Ratchet his own life. And that’s a huge turning point in their relationship--Ratchet sees that... Drift tries really really fucking hard. My friend Zig pointed out that post-Delphi, Drift is eating energon w/ chopsticks (what a fucking nerd), and you can see in a later panel that Ratchet (who chose to sit next to Drift) is using those chopsticks too. IT’s such a small thing, but they’re becoming closer by sharing and learning from each other. And then Drift takes the fall and leaves. And Ratchet realizes just how important Drift’s presence is in his life. I mentioned it already lol but the scene where Ratchet helps Drift up off the floor and it’s superimposed with the love message Rewind left for CD. They care about each other so much!! And Ratchet chases after him!! HOLY SHIT. If that isn’t romance, what is?? lol I kid, but it’s obvious just how important Drift’s presence meant to him. IT’s really because they became so so so close in a way that can’t be described as just friends. They deeply understand each other in really uncomfortable ways and bring out the absolute worst and absolute best in each other. And this point is where Ratchet again appears when Drift doesn’t realize he needs someone in his life. Drift thinks he can be a loner and just float aimlessly and voicelessly--hell no! He needs friends, he needs community. He NEEDs belonging, because he wants to belong somewhere. And Ratchet helps bridge him back to friends and found family. And Ratchet slowly changes the more he’s with Drift. He reads religious text and tries to brag about it bc he’s a dumb tsundere lol but he’s trying to understand Drift’s interests more even if it takes a decade and more to get there. And Drift values him for being his rock. That’s why he’s constantly making sure Ratchet is safe and unharmed, because he owes at least that much to him. And yeah they eventually fall in love because they value each other in a way they haven’t anyone else. IM EMO I CAN GO ONE, this all probably didn’t make a whole lot of sense but yeah. I’m just so soft to the fact that they’re horribly hurt people who don’t know how to redirect their pain, but by being together they come out healthier and more confident. IT’S RLY ROMANTIC IDKKK My non-romantic OTP for this character As much as I also love OpRatch, they are also great best friend platonic ship. They know each other best, they’ve been through SO MUCH together. It’s honestly a shame they barely interact in IDW bc the small tidbits we have, they obviously deeply respect each other’s opinions and deeply value the relationship they’ve had over the past millions of years. I’m also all for non-romanceOTP for dratchet because I can totally imagine they go to each other to talk about things they feel uncomfortable sharing with others (they’ve seen the absolute worst of each other afterall). My unpopular opinion about this character I don’t... think I ahve one. Some ppl view my love for his as grating lol. One thing I wish would happen / had happened with this character in canon. Medic spin off.

#ratchet #dratchet

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eddycurrents · 6 years ago

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For the week of 18 February 2019

Quick Bits:

Aquaman #45 gives us a new creation story with Father Sea and Mother Salt. It’s interesting world-building for what’s going on on this island. Robson Rocha, Daniel Henriques, and Sunny Gho seem to level up on their art again. This book is gorgeous.

| Published by DC Comics

Avengers #15 continues the vampire civil war, with the Shadow Colonel basically kidnapping Ghost Rider. Jason Aaron is definitely taking this series in weird places, but it remains highly entertaining. Especially with collaborators like David Marquez and Erick Arciniega who deliver some incredible artwork.

| Published by Marvel

Avengers: No Road Home #2 reveals how Nyx and her family took Olympus. There’s also a neat parallel narration for Hawkeye explaining how the guy with just a bow and arrows can take on gods and monsters. The art from Paco Medina, Juan Vlasco, and Jesus Aburtov is gorgeous, they really seem to pushing themselves with their storytelling. It’s just a shame that none of the artists are credited on the cover.

| Published by Marvel

Barbarella/Dejah Thoris #2 is ridiculously impressive. Leah Williams, Germán García, Addison Duke, and Crank! are delivering an intelligent, humorous, and compelling adventure tale here that reminds me a lot of some of what Alan Moore and Chris Sprouse did in Tom Strong. It’s incredibly inventive and the artwork is amazing. Highly recommended.

| Published by Dynamite

Batman #65 gives us the penultimate chapter of “The Price”, featuring an all out battle between Flash, Gotham Girl, and Gotham. The artwork from Guillem March and Tomeu Morey is stunning, with some incredible layouts as the action continues.

| Published by DC Comics

Black Widow #2 is fairly bloody and violent as Natasha racks up a body count tracking down the people running “No Restraints Play”, a site that specializes in depravity. Flaviano’s line art seems scratchier than the first issue, but it works for the violent tone of story.

| Published by Marvel

Bloodborne #9 begins the third arc, “A Song of Crows”, as Aleš Kot, Piotr Kowalski, Brad Simpson, Aditya Bidikar, and Jim Campbell spotlight Eileen the Crow. This is a bit of return to the kind of abstract storytelling and embrace of oblique existentialism of the first arc as Eileen investigates the ritual murder of a hunter, but is confounded by time and holes in the narrative.

| Published by Titan

Catwoman #8 is ostensibly the “conclusion” to “Something Smells Fishy”, but it doesn’t actually end the story in any way and leaves the reader at a cliffhanger of continuing elements. That being said, it’s still an entertaining issue from Joëlle Jones, Elena Casagrande, Fernando Blanco, John Kalisz, and Josh Reed. Wonderful action sequences, and more questions as to the nature of a reliquary that seems to contain resurrective powers.

| Published by DC Comics

Delver #1 begins a new Comixology Original series from MK Reed, C. Spike Trotman, Clive Hawken, Maarta Laiho, and Ed Dukeshire. It’s a very intriguing and unique take on the fantasy gaming theme of a dungeon full of treasure and monsters with delvers working to plumb the depths. But it’s from the perspective of the townsfolk whose land the door to the dungeon appears in and how it changes and impacts their lives.

| Published by Iron Circus Comics

Doctor Strange #11 concludes the battle with Dormammu and the Faltine, for now at least, from Mark Waid, Jesús Saiz, Javier Pina, Rachelle Rosenberg, and Cory Petit. Some very nice art as usual from Saiz, Pina, and Rosenberg.

| Published by Marvel

Friendly Neighborhood Spider-Man #3 continues “Mother of Exiles” from Tom Taylor, Juann Cabal, Nolan Woodard, and Travis Lanham as Peter finds out a bit about the rumours regarding his neighbour and Under York, another duplicate New York City under New York City, that oddly isn’t the Monster Metropolis. Great humour from Taylor in the dialogue.

| Published by Marvel

Guardians of the Galaxy #2 takes a somewhat different approach as Peter Quill drunk dials Kitty as he tries to make sense of what’s going on with Thanos, Gamora, everyone who’s dead, and the current state of the Guardians. Donny Cates, Geoff Shaw, Marte Gracia, and Cory Petit are really taking this series into interesting offbeat territory, while still delivering some excellent humour and an ominous feel to Starfox’s new band of “guardians”.

| Published by Marvel

Incursion #1 begins a new mini picking up on where the Eternal Warrior and Geomancer are since Harbinger Wars 2 and Ninja-K, and pit them against Imperatrix Virago, a cosmic villain that is devouring worlds (kind of like if Galactus were pestilence), from Andy Diggle, Alex Paknadel, Doug Braithwaite, José Villarrubia, Diego Rodriguez, and Marshall Dillon. The art is incredible, the stakes seem pretty high, and the outlook after this first issue look pretty grim for Earth.

| Published by Valiant

James Bond 007 #4 sees Stephen Mooney join Greg Pak, Tríona Farrell, and Ariana Maher for the art chores for three issues, continuing the tale of Bond and “Oddjob”’s team-up. Like Marc Laming, Mooney seems to be born to draw Bond and espionage themed stories.

| Published by Dynamite

Judge Dredd: Toxic #4 concludes what has been an excellent series dealing with xenophobia and hateful rhetoric from Paul Jenkins, Marco Castiello, Vincenzo Acunzo, Jason Millet, Shawn Lee, and Robbie Robbins. I’ve always found non 2000 AD Judge Dredd stories to be a bit of crapshoot, but IDW have been delivering well with the past two mini-series, this and Under Siege.

| Published by IDW

Justice League #18 is the latest excursion into the Legion of Doom territory from James Tynion IV, Pasqual Ferry, Hi-Fi, and Tom Napolitano. It works with some of the revelations from last issue regarding Martian Manhunter and builds a new narrative for Lionel Luthor’s past and his work with Vandal Savage. It’s interesting to see Tynion working with variations on discarded continuities in this way, building a new past that synthesizes pre-Flashpoint ideas with the current batch of backstories.

| Published by DC Comics

Middlewest #4 only seems to be getting better and better as more of this world and how it seems to work get fleshed out by Skottie Young, Jorge Corona, Jean-Francois Beaulieu, and Nate Piekos. There’s something incredibly magical and special about this series that taps into the feeling of some of the best coming-of-age fantasies as it blends Ray Bradbury, JM Barrie, and Carlo Collodi into this magical realist adventure.

| Published by Image

Miles Morales: Spider-Man #3 concludes the opening arc from Saladin Ahmed, Javier Garrón, David Curiel, and Cory Petit by adding Captain America to Miles & Rhino’s team-up. This has been a very entertaining start to the series, with a nice mix of Miles’ personal life and superheroics.

| Published by Marvel

Naomi #2 reasserts that Jamal Campbell is a powerhouse of an artist and one of the best kept secrets of the past few years who really should have a higher profile. His art is amazing. It also helps that the story he, Brian Michael Bendis, David F. Walker, and Carlos M. Mangual are telling is as compelling as this, as Naomi confronts Dee as she tries to learn about the day of her adoption. It’s very widescreen and epic as it hints at the broader DC Universe, but at the same time this is very deeply personal.

| Published by DC Comics

Old Man Quill #2 gives the Guardians a taste of the depravity and despair that Earth has fallen to in this post-superhero world. Ethan Sacks shows there’s still a bit of humour left, though, in that Piledriver’s descendent thinks that Piledriver was one of the all-time greats. Also the art from Robert Gill and Andres Mossa gives a wonderful amount of detail to the wastelands.

| Published by Marvel

Relay #4 returns after a delay with new artist Dalibor Talajić (I believe Andy Clarke had to bow out due to illness, but I’m not 100% sure on that). Talajić’s art style is not as bright and clean as Clarke’s, giving a darker, shadowy approach that results in the bleak, horror elements of the story coming further into focus.

| Published by AfterShock

Seven to Eternity #13 returns from its own lengthy delay to conclude the arc in Skod, with the revelation of part of Adam’s choice to save the Mud King. It reiterates the theme since the beginning that there seem to be no good choices in this world, that everything tainted, despite Adam’s father believing the world black and white. While we are going into another trade break, Rick Remender, Jerome Opeña, Matt Hollingsworth, and Rus Wooton consistently make this worth the wait.

| Published by Image / Giant Generator

Sharkey: The Bounty Hunter #1 is the latest of Mark Millar’s Netflix feeder series, after The Magic Order and Prodigy, with Simone Bianchi and Peter Doherty rounding out the team. This one feels a bit like if Warren Ellis were writing Strontium Dog, and it works. The artwork from Bianchi is worth it on its own. Gorgeous character designs.

| Published by Image

Venom #11 is another holy crap issue from Donny Cates, Ryan Stegman, Joshua Cassara, JP Mayer, Frank Martin, and Clayton Cowles. There are some really big revelations about Eddie and his family that really need to be read firsthand. Amazing work.

| Published by Marvel

X-O Manowar #24 reminds us again just how good of an artist and storyteller Tomás Giorello is. The action sequences and battle between Aric and Hesnid is incredible, with fairly inventive layouts that just elevate the overall impact of the pages. Giorello and Diego Rodriguez really make this something joyous to behold.

| Published by Valiant

Other Highlights: American Carnage #4, Bitter Root #4, Black Badge #7, The Black Order #4, Breakneck #3, Coda #9, Death Orb #5, DuckTales #18, East of West #41, Evolution #14, Exorsisters #5, Go Bots #4, Grumble #4, High Level #1, Hot Lunch Special #5, Jessica Jones: Purple Daughter #2, Jim Henson’s Beneath the Dark Crystal #5, Jim Henson’s Labyrinth: Discovery Adventure, Jughead: The Hunger #12, Lightstep #4, The Lone Ranger #5, Lucifer #5, Lumberjanes #59, Mars Attacks #5, Monstress #20, Outpost Zero #7, Rainbow Brite #4, Shuri #5, Solo: A Star Wars Story #5, Star Wars Adventures #18, Starcraft: Soldiers #2, Stronghold #1, Sukeban Turbo #4, Superb #17, TMNT: Urban Legends #10, Teen Titans #27, Turok #2, The Unstoppable Wasp #5, The Witcher: Of Flesh and Flame #3

Recommended Collections: Amazing Spider-Man - Volume 2: Friends & Foes, Bedtime Games, The Beauty - Volume 5, Black Lightning: Brick City Blues, Captain America - Volume 1: Winter in America, Days of Hate - Volume 2, High Crimes, Infinity 8 - Volume 3: The Gospel According to Emma, Old Man Hawkeye - Volume 2: The Whole World Blind, The Punisher - Volume 1: World War Frank, West Coast Avengers - Volume 1: Best Coast

d. emerson eddy would do anything for a Klondike bar, but he won’t do that.

#This Week in Comics

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hanaby-3 · 7 years ago

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TransformFriday

Okay, this is an idea that I've been meditating for a long time but I think now is the perfect time to carry it out. Because my favorite comic book (Transformers MTMTE-LL) will soon come to an end, I have decided to carry out this idea: my own Top Ten of favorite transformers... drawing version! The truth is that the end of MTMTE and LL generates me many mixed emotions: on the one hand I am happy because at last I will be able to know the end of the story and I will not observe how my favorite series becomes the next infinitetale (I will not say names ... but we all know who they are ...) but on the other hand I'm so sad about it. This is a story that has marked me and I know that when the comic ends I will no longer be the same person as before. This (at least for me) is a special moment, comparable to when Inuyasha, Death Note and Evangelion ended. I remember fondly when I started reading it: back then I still had the hype of transformers prime and I was looking for more things about it and then a friend in a forum recommended Transformers More Than Meets the Eye and I started reading it (specifically I got it in chapter 18, the house of ambus) and I was speechless with what I found. All the characters were so similar and at the same time so different from everything I already knew. I remember how I was surprised by the lore and all the mythology that had been assembling around the transformable robots and seeing how a world was created so unique and credible with such a cliche premise and yet I fell completely in love with it. I hallucinated with neurosurgery and empurata, I loved how action and psychology were balanced in about 20 pages in such a harmonious way, and the characters ... my god, the characters! I love how James Roberts takes you by the hand and makes you walk the halls of lost light with his characters, I remember being so sad with Tailgate's disease, getting excited about the battle between cyclones and Starsaber, to love and hate the same time to Tarn for his personality, to be moved for the scavengers, the evolution of rodimus and Megatron. For my Transformers it has not been another series of my childhood. James Roberts and Alex Minle have taught me what someone can do with dedication, hard work and a lot of imagination and their comics are not an empty reading. Thanks to this story I have learned so many important lessons from life and myself, I have come to learn how strong and courageous I can be. Thanks to MTMTE I was encouraged to write and draw my first comic, I learned that the hardest It is forgiveness to yourself, I have learned that it is not bad to ask for help and how powerful teamwork is, thanks to TMTMTE I wrote my degree thesis ... My God I can say it, Thanks to Transformers I got graduated! And finally, thanks to MTMTE transformers I still find the strength to continue doing what I like, which is to draw. That's why I decided to celebrate these last months of Transformers drawing my ten favorite characters and of course explaining why every Friday (of course the position 1 and 2 already know them, I'll leave you below the links if you're interested) because the end of this wonderful saga will also mark the end of a stage of my life and is that the truth, without TMTMTE I would be a completely different person and that is why it is and always will be one of my favorite series.

Top Ten

1.-Prowl

If you have read any of the wreckers comics then you know that Prowl is a bastard. He is not a noble, kind, or honest hero, I can not even call him good. Actually Prowl is a villain who "fortunately" plays for the good side. If I had to define Prowl in a word that would be hate. He hates the decepticons, he hates the new cybertron, he hates his leader/friends for not listening him, even I think that sometimes he hates himself, his life and especially his failures and that's why I love it. I love the contradiction and the final message of Prowl: hatred has turned him into what he most detests. Ironically, Prowl is more decepticon than many cons and at the same time that hate is the fuel that drives him to improve every new plan and fight for a future and a peace that may get to destroy him. He is cruel, manipulative and ruthless but also has moments of weakness and even compassion ................. although he is still a bastard and has not been able to overcome his ex-boyfriend. I love Prowl because he is not a character, he is a person, he is very real and very human and the world and his own decisions have made him into what he is today.

2.- Starscream

Leaving megatron aside, my favorite decepticon is Starscream. Either in comics or in the animated series Screamer always amuses me and always manages to make me smile ... basically because I love to see him fail in everything he does. I do not joke, either bad luck or his own ambition always make him fail. If Prowl is hatred, Starscream is ambition. he reminds me a little the homuncle of FMAB Greed, he wants it all, power, wealth, fame, fear, respect and especially the decepticon leadership.

He knows he is the best option to be the leader of the decepticons and he is an incredibly ruthless person who does not hesitate to lie, murder and manipulate everyone to meet their own whims but like Prowl Star is much more than just ambition. I'm not going to say that he's not so bad or he can redeem himself or some stupidity of the style (I really hate that) but Starscream has a reason to be like that. He is an incredibly lonely person who has struggled to survive before, during and after the war. He has learned that he can not count on anyone because sooner or later they will betray him and that is why he only sees the people around him as pawns. He's logic: if you do not approach or attach to anyone they can not betray you. deep down he knows that sooner or later his bad deeds will overtake him and he must prepare himself.

And yet Starscrean has virtues as great as his flaws: he is incredibly determined and hardworking, when he wants something he does not skimp on resources, time or effort in getting it, he is extremely intelligent (probably not as much as Prowl but he is a force to have in account) and he always learns from his mistakes. I would say that's why he has had such a long reign in comics and even has moments of humanity and genuine compassion. Maybe he really wants to redeem himself ... but he knows that he is beyond all salvation and that for him it is too late.

3.-Cyclonus

The truth is that this is a character that I find it hard to talk about, basically because he is someone I love so much and I identify so much that I block myself.

I will start strong: Cyclonus is my perfect waifu, he is a revision to the classic stereotype of the solitary warrior and constantly reminds us that every age, however dark or terrible it may have been, created beauty. Fuck, Cyclonus loves any form of art: music, writing, architecture and also he is a killing machine that can slice just about anyone, what else could you ask for? And in spite of him being so cultured he has a huge darkness inside him, of course Cy is fully aware of that and always tries to channel it ... with mixed results.

But the truth is that the feature with which I most identify with cyclonus is his sense of honor and loyalty, that is something that resonates a lot with me. The moment that I see Cyclonus is willing to do him on the side in order to ensure the happiness of the person he loves the most is something that makes my throat tighten. Besides that his relationship with Tailgate is the best yaoi I've read, let's be honest and he has the best sentence ever written. you want to know? You will have to read the comic because the spoiler is not from God.

4.- Megatron

Of course Megsi was to be in my topten, he is almost a god in my pantheon (sorry optimus). I love all the incarnations of Megatron except for the transformers prime novel (seriously, a revolutionary who hates the primes but he wants to be a prime …. what the hell?) But my favorite so far is the IDW Megatron , he is a very complex character that goes through different stages: fallen, self-discovery, acceptance, temptation, redemption … all a carousel of emotions. He pass from being a ruthless murderer to a pacifist in constant conflict with himself. Although my favorite aspect about megatron is its moral: we all deserve a second chance … but redeption is not as easy as bowing your head and apologizing. Throughout MTMTE and LL Megs works every minute of his life to redeem his mistakes even when he knows they are too big and as he advances towards his death he knows perfectly well that there is a possibility that no one will forgive him but that does not stop him. Megatron words always resonate strongly within me: We are all work in progress.

5.- RungMy second perfect waifu and a cinnamon roll too pure for this world. Rung is the most adorable autobot ever drawn … until he takes off his glasses and becomes the greatest latinlover ever created. But leaving aside my inclination for robots, Rung is an incredible character, I know that many joke about the theory which says that Rung is the self-inception of Roberts, but I think that rather Rung is the connection with the reader. He is a character that has been kept at bay from most problems by having a very convenient good luck, he is skinny, short, lovable, sometimes too much kind and he prefers conversation rather than confrontation but he is not weak On the contrary, Rung has incredible mental and emotional strength. he has not only endured that everyone, absolutely ALL mispronounce his name at least once, Rung listens to the problems and confessions of others around him to make a living; he literally knows the worst of all, he knows the darkness that dwells within each of his companions … and that never stops him from helping or comforting others. If I had to define the role of Rung in some archetype that would be the maternal one. Of course there are parents in fiction who are loving and protective, but the mother figure always ends up being kinder, the comforter and the one that drives you to improve and that is precisely the raxon for which I love Rung.I have met many maternal characters but what makes the difference with Rung (besides being male) is the moment in which (spoiler alert) during the kidnapping of Fortress Maximus, Rewind reproduces a part of the torture in Garrus 9 and Max, realizing that he is doing exactly the same as Overlord and reliving those horrible memories, he throws himself to the ground to mourn and Rung, with a patience of a saint, despite the kidnapping and even though Max had yanked his thumb out… he surrounds him with a kind arm and tells him that everything will be fine and everything ends for today. That’s something my mother could have done.Because deep down Rung is that, he is kindness and he teaches us the strength found in compassion and as the functionalist universe demonstrates, Rung possesses incredible strength of character and determination and he is capable of giving his life to save those who he care … and that’s a large number of people.

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#topten #topten trasformers #transformers #transformers mtmte #prowl #starscream #cyclonus mtmte #megatron #rung

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chrismaverickdotcom · 7 years ago

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Mavademics: Male Gaze through Visual Signifiers in Comic Art

Last week I saw an image for a cover to a Popeye comic. This version, drawn by Steve Mannion featured Popeye and Bluto with exaggerated vein popping musculatures and Olive Oyl reimagined as a sexy femme fatale in the style that, at least to me, is most close evocative of Salma Hayek‘s character from Deserpado. At the time I thought it was an upcoming series that reimagined Popeye in a modern context in the same way as recent series have done with Flintstones, Scooby Doo and Snagglepuss. I was intrigued and excited. I wanted to see what they were going to do with it. I’ve since come to learn that it was actually an older variant cover to Popeye Classics, IDW Comics‘ series of reprints fo classic Popeye adventures. I’m actually a little disappointed by this, because I was totally interested to see where it would go, but even without a new series to back it up, the image did make me think of some issues that I am working with in my dissertation that I figured it would be worth floating here in my blog to see what people’s thoughts were. In other words, it’s time for another fun round of everyone’s favorite game, “let’s comment on Mav’s dissertation research!”

Namely, I am interested in the fact that when I posted the image to Facebook, the main criticism that people jumped on immediately was the obvious sexualization of Olive Oyl. My friend Cenate pointed out that “A curvaceous Olive Oyl is just so strange. My brain can’t process it.” and a lot of this is because, as in the words of my friend Steve, “Admittedly I expect comic book bodies to be unrealistic, but man, my whole body is in pain just thinking about how deformed and twisted Olive’s skeleton must be. Either her left knee is twisted ninety degrees or she has a goat leg, likely both given the appearance of the silhouette of her right leg…” And while that’s true, my counter argument was that I find it interesting that this is what their attention is called to despite Olive Oyl never being particularly anatomically correct traditionally, and Popeye and Bluto also being extremely non-proportioned in they image. That is, I find it interesting but not surprising. In particular I see it as emblematic of the usage of male gaze in comic art. That is, here I am referring to “comic art” as an art style (or really set of styles collecting a series of like visual tropes) as opposed to the physical media (comic books), or the common genres most often associated with that media (superhero fantasy).

First, I think it’s worth defining the idea of “the male gaze.” I am not using it in the common internety way, of just saying “its bad to portray women as sex objects.” There’s an important conversation to be had there, but that’s not really where I am going with this. At least not directly. It’s an obvious connection that follows, however. When I am using the term I am doing so more in the vein that Laura Mulvey does in her original essay that introduced the term, “Visual Pleasure and Narrative Cinema”. Specifically, at least here, I am concerned with the techniques by which the art style uses the media to portray female characters as sexual objects inviting a voyeuristic gaze, in contrast to make characters being depicted as subjects capable of active agency, rather than the ramifications of doing so. In her essay, Mulvey focuses on the specifics of how this is done in classic cinema pointing to the manner in which the woman, who’s primary purpose is to-be-looked-at, rather than progress the actual action of the plot, must necessarily freeze the otherwise progressing action of the film in order to invite the audience to partake in the voyeuristic pleasure of admiring her body. Since Mulvey is concerned primarily with classic cinema, she uses examples like Rear Window and Marnie. But I’m a comic book geek, so I’m going to offer Ming the Merciless’s hypnosis of Dale Arden in the cult classic Flash Gordon:

Note that when Ming takes control of Dale, everything else in the film stops so that people can just look at her. No one attempts to save her. The extra-diegetic lighting in the room inexplicably lowers so that the audience we can more easily ignore Flash Gordon and the others and focus on Dale as she runs her hands up and down her body and dances for Ming’s (and transitively our) amusement. She’s fully clothed, and in fact, is far more erotically dressed in nearly every scene that follows this in the film, and yet this scene is inherently sexual. Her movements and slow semi-orgamsic moans expressly tell the viewer that this is about sex, however her explicit lack of consent and even awareness of what’s going on key us to read that her personal sexual enjoyment, or lack thereof is entirely irrelevant. Even Flash, her love interest in the film, who is very much aware of the fact that his girlfriend is being psychically sexually violated against her will, can’t help but acknowledge that looking at her as an object (her explicit purpose in the scene) is “sensational.”

That is not to say that the sexuality on display cannot be germane to the plot, or that even doing so makes it a bad narrative. After all, in Rear Window, Mulvey’s key example, the voyeurism inherent in watching is central plot of the film. This can also be seen in the actual scene from Desperado that I compared Olive Oyl to in the first place:

Here, we’re actually given far less time to focus on Carolina(Hayek) as an erotic object. In my head, before I rewatched the scene, I remembered there being far more time to focus on her than actually occurs. She is introduced at a key moment in the action as the Mariachi (Antonio Banderas) is being pursued by his adversaries. She does not freeze the action, but instead is inserted into it because of her sexuality. She is explicitly scantily dressed to key the audience in to the fact that her sexuality is important. We don’t get much time to focus on her bare midriff, flowing windblown hair, or the fact that her tight shirt is tied to frame her boobs — approximately five seconds while other things are going on — but we are entirely aware of them. Moreover, the car crash that happens as she carelessly walks across the street keys us in to the fact that men are so distracted by her beauty that they can focus on nothing else, and her laugh at the event tells us that not only is she used to this sort of thing, but she enjoys it. Immediately after this, we have all action occurring in slow motion as the Mariachi is transfixed by looking at her, so much so that he (and we) almost ignore the the armed assailant whom we all know is coming to kill him. And yet, from this point onward, Carolina is one of the key characters of the film. But she is defined by her sexuality because the tropes of filmmaking tell us to define her that way.

So that takes us back to the Olive Oyl image. Obviously she is sexualized. But the question becomes why… and how does she command specific attention in the image beyond what the other figures do. After all, Steve commented that “my whole body is in pain just thinking about how deformed and twisted Olive’s skeleton must be. Either her left knee is twisted ninety degrees or she has a goat leg, likely both given the appearance of the silhouette of her right leg…” but Popeye’s suffers from much the same issue, his left leg is raised higher than should be possible with out a dislocated hip. His elbow has been relocated to the bottom of his oversized forearm, which should be breaking both his underdeveloped bicep and shoulder from the sheer weight of support. Given the the relative length of his right upper arm, we must assume that his left lower arm has been severed from the occlude left bicep. Similarly, Bluto, whose left arm is more massive than Olive’s entire frame, appears to be missing a right arm entirely, unless we as readers are to assume he has a congenital birth defect causing an underdeveloped arm, which would then call in to question why Popeye is attacking a disabled man. In a sense, Olive may actually be the most realistically proportioned figure in the entire image.

She is also more realistically rendered than her classic interpretation, a wiry, frail woman with joints that seem irrelevant to the points at which her body is capable of bending. While the new interpretation of Olive, with her ample bosom (again, like Hayek’s framed in a tight, low-cut, midriff exposing blouse), skirt clinging tighter to her legs to suggest her crotch, and leg pointed suggestively to expose her new 4-inch heel Fuck-Me Boots, the classic Olive isn’t actually that far behind. It’s true that Olive was never classically visually depicted as having a body that is conventionally sought after as attractive by women of the current era or her 1919 origin, she was always a sex object. She is designed to be a flapper (hence her hair and skirt), a stereotype that has as much sexual connotation at the time as it does now. It’s just that the specific style that E.C. Segar used when drawing her and the other Popeye/Thimble Theatre characters wasn’t designed to “realistic” so much as expressive. She frequently made it clear from her posture and actions that she was extremely horned up almost all of the time. In fact, a LOT of Popeye strips are pretty much about Olive basically wanting to fuck whoever pays the slightest flattery to her. It’s one of the reasons Bluto and Popeye hate each other. When she is not actively seeking amorous attention, she is the perpetual kidnapped damsel-in-distress from Bluto, who desires her sexually.

The sexual aspect of the Olive Oyl character was so prevalent in the 1930s and 40s that she became one of the most common characters featured in Tijuana Bibles (NSFW, seriously… DO NOT click to enlarge this image unless you really want to see a raunchy, rapey, bisexual, anal threesome between Olive, Popeye and Wimpy that your grandfather or great grandfather probably jacked off to at some point during the during the war… I mean, who are we kidding, we all know you’re going to click on it, but you’ve been warned). While the authors and artists of Tijuana Bibles are generally anonymous, it is widely believe that many of the underground artists creating the pieces were employed by day as the regular artists or assistant artists of these very same strips. So while they are certainly not officially sanctioned, they were very much understood as part of the comic culture of the time in the same way sexualize fan art that you might find on DeviantArt, or commission from an artist at a comicon is today. And Olive became a favorite of these because she was understood to be an innately sexual character.

So if we return to the Mannion cover we see some very specific elements at work that call attention to this sexualization despite Olive taking up comparatively little space in the composition. Obviously, the clothing choices are designed to present a sexualized image consistent with modern 21st century fashion choices. Her her hips, boobs, and legs are extended in such a way as to accentuate her femininity as much as possible. While the other characters are more dynamic, she is positioned in front of them, signaling her importance to the composition. Finally, she is the focal point of a golden spiral, the visual instantiation of the golden ratio, φ. In layman’s terms’s Popeye and Bluto are positioned relative to the rest of composition to form the beginnings of a spiral that causes the eyeline to drift towards a specific focal point, as you follow the action. In this case, specifically you are drawn closer and closer to her torso, which continues the spiral which is now framed by her boobs and crotch. Mathematically, you the image literally signifies to you “tits and pussy, right here kids.” Like Hayek in Desperado, she seems both completely aware and totally disaffected by the effect her sexuality has on Bluto and Popeye behind her. She knows they’re there, but this is regular occurrence for her (and it is) so she is happy to mind her business and rejoice in her function, to be looked at as an object to drive the action rather than a participant in and of herself.

Again, I’m not making a Frederic Wertham argument here. I’m not so much arguing that the objectification inherent in the image is “bad.” In fact, in this case, I think it’s used particularly well. But the argument is more in the fact that it is commonplace enough to have become a specific visual trope. I actually went to the comic book shop, Phantom of the Attic, yesterday to count how many female sexualized covers there were. From a pure blatant eroticization stanpoint, of the 216 covers that were on the shelf yesterday, only eight had covers that I think your common viewer people would claim were blatantly eroticized towards a male gaze, far fewer than I would have expected, honestly (and way less than would have been the case in the 1990s comic boom). However, 42 of them used golden spirals to draw the focus to an at least mildly sexualized female character or body part. While some of these make sense tonally or narratively, (as is the case with the Red Sonja/Tarzan cover pictured below), others (as in the Hit-Girl cover) seem almost incidental but for the fact that because the character is female, the focus on a sexual characteristic must be sexual.

In particular this becomes complicated by the manner in which we view an eroticized male vs an eroticized female, is is the case in two similar bondage covers that happened to be on the shelf, one for Spider-man and another for Breathless. The female cover takes on a much more erotic connotation despite being effectively identical to the male. This appears to be a function of the cultural view of feminine vs. masculine sexuality as portrayed in art. Clearly the sexual aspects of masculinity are as exaggerated, if not more so, in Popeye and Bluto than they are in Olive in the Mannion image, but it is Olive that appears to draw our attention, not only because of the focus of the spiral, but because we are more predisposed to notice the woman as sexual object than the male.

So anyway, that’s what I’m working with right now. I’m curious as to people’s base opinions and thoughts. This may possibly get worked into a future episode of the podcast… which reminds me… I want to end on a cheap plug. Check out my podcast, VoxPopcast which I do with Wayne Wise, Katya Gorecki and whoever else I happen to rope in that week. Subscribe on iTunes and Facebook and leave reviews and comment and all the things that will make me famous so I can just think about sex in funny books all the time. You know… for you.

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Mavademics: Male Gaze through Visual Signifiers in Comic Art was originally published on ChrisMaverick dotcom

#bluto #comics #desperado #flash gordon #golden spiral #laura mulvey #Male gaze #olive oyl #popeye

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renaramblesaboutcomics · 7 years ago

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Wednesday Roundup 11.10.2017

It’s that time of a week again where I prove to be nothing if not a complete glutton for punishment, which apparently includes having way too many trades preordered on the same week by magical coincidence. It’s like the old saying, when it rain it pours. And sometimes it’s just ridiculous.

But we’re seeing the closing a few storylines, the beginning of a few, and just a general large array of comics at our disposal, including more of the Marvel Primers. So I say we just dig right into it.

Marvel’s All-New Wolverine, Marvel’s Amazing Spider-Man: Renew Your Vows, DC’s Batgirl and the Birds of Prey, Marvel’s Captain America, Marvel’s Guardians of the Galaxy, Marvel’s Immortal Iron Fists, DC’s New Super-Man, Image’s Rat Queens, DC’s Red Hood and the Outlaws, Marvel’s Runaways, Marvel’s Spider-Man: Miles Morales, IDW’s Teenage Mutant Ninja Turtles Universe

Marvel’s All-New Wolverine (2015-present) #25 Tom Taylor, Juann Cabal, Nolan Woodard

Will I ever run out of good things to say about All-New Wolverine? No? Good. I wouldn’t want to be dishonest and that would be the only way I’d have negative things to say about my love for this series.

Story: So believe it or not, the relationship between Daken and Laura is something I have desperately wanted to see more of. In the Daken/X-23 crossover they had a few years ago, I really felt like we got somewhere with their relationship, and the bits and pieces since then have really helped my attitude only grow stronger on the subject. So seeing Taylor hint at it growing more in the last arc, and knowing it would be delivered on in this arc has me SO excited about what is to come.

You know. When Daken is around for more than an awesome bar fight that... leads to his dismembered arm being hung from a bridge. THAT old plot device. I’m a little sad to see that Gabby is being left behind (especially since her outfits never cease being adorable and hilarious) but knowing that we’re dealing with Mutant Bigots this time around somewhat made me appreciate that decision. I worry way too much about Gabby to take that at face value.

And then that cliffhanger hits like a freight train and it’s like WHAAAAT. But no like what. Oh my god. Is this real? I know we have to wait a month but. uh. Kudos, Tom Taylor. I am not often surprised by characters seemingly returning from the dead anymore. To say this was not expected is VASTLY underplaying my shock.

Art: There have been a lot of great artists on this title and I don’t think Juann Cabal is an exception to that rule. He has solid character art, lots of good control of backgrounds and paneling, and got pretty inventive with combining flashbacks with Laura’s current travels and actions. And the bar scene with Daken was just fantastic all around like, a simple but highly effective action sequence and I’m really excited to see what action he’ll draw Laura herself in as we carry on.

Marvel’s Amazing Spider-Man: Renew Your Vows (2016-present) #12 Ryan Stegman, Brian Level, Jesus Aburtov

We wrap up another storyline of what has quickly become my favorite Spidey series of the ‘10s and it comes with highest of highs and lowest of lows. And lots and lots of adorable hugs.

Story: I was concerned that with the pacing we had had for this storyline up to this point that there would be a lot of things that would have to be knitted together a bit too tight or not at all, and that definitely seemed to be the case. We flew through this issue with revelations hitting in waves. Ms. January was the villain all along, Normie is suddenly a perfectly normal kid who was just misled, the symbiote is removed from MJ using sonic waves, Annie saves her parents, and just overall there was a lot that happened within this single comic. It all made emotional sense, and the hug between Annie and Normie at the end, bringing their family feud at last to an end, felt completely right.

I liked small callouts like having Liz be the parent Normie needed, the X-Men coming to help the Parker family, and the amazing banter between MJ and Peter, but I think because there was so much fit into this last issue there felt like a bit of continuity bending to make logical sense where the emotions didn’t quite carry us. Like Normie’s... complete change in character. And Ms. January’s apparent obsession/love of Harry and need to avenge him. These things make sense if they fed into each other -- Ms. January’s influence inspiring Normie to cut his mother out of his life even more than she had been already and then feeding him more and more hatred toward Spider-Man by saying that it was his fault. But that doesn’t make so much sense with what we read in the issues before, specifically the issue where Normie took up arms to protect his company and revealed his backstory through his own internal monologue and flashbacks.

So while this confrontation has been 12 issues in the build up, the resolution mostly came... only from this issue. Maybe the last two issues, too, if we’re being generous.

The epilogue confuses me. It feels like Renew Your Vows is trying to wrap itself up and yet I know from solicits that it’s not, but we are justifying a timeskip to eight years in the future so that artists have an excuse to draw a teenage girl in a tighter costume -- I MEAN BECAUSE THEY WANT TO TELL MORE TEEN ORIENTED STORIES OBVIOUSLY. But I worry that this change is going to make what has been a unique take on the Parker-Watson family and turn it into Sider-Girl Lite, which is unfair to everyone all around. Also were they... not operating for those eight years? Why is the new costume a big deal for her eighteenth birthday? How much sense would it make for them to just... suddenly find a way to stop Annie from going out as a superhero with them when the whole point of the past 12 issues is that they couldn’t.

What about Dr. Connors and his son? What about Annie’s additional precognitive powers? Did she end up going to the Xavier institute?

I feel like I was asked to bite off a bit too much in this issue, and as much as I enjoyed it and enjoyed this series, I feel this is a rare storyline where I actually would have preferred an extra issue to set all of this up.

Art: The art is beautiful. Soft and textured but also sweeping and animatic like you would want for any good Spidey story. And considering that there has been a fair rotation of art teams on this book since the first issue, I really appreciate how much they worked toward giving the book a consistent style of its own. It was neat and helped even artist style changes feel coherent still and I’m really interested to see if this dedication to that continues, especially since the epilogue appeared to have a different feel to it.

It’ll be interesting to see next month either way.

DC’s Batgirl and the Birds of Prey (2016-present) #15 Julie Benson, Shawna Benson, Roge Antonio, Marcelo Maiolo

Well, I’m sure for 99% of you this is an unexpected addition to the roster. For those unaware, I have put the first volume of Batgirl and the Birds of Prey on blast on my personal blog @renaroo for having some things I consider to be insufferable in regards to the handling of Barbara and specifically the consistent villainization of Oracle. Which you know, I’m about sick of.

So why am I picking up BoP now? Simple: Cass is going to start appearing regularly beginning with this particular storyline and I will support her here since for finances I’ve had to move ‘Tec to trade wait.

and oh boy. This is. Something.

Story: So there’s this old episode of the animated Justice League series where an Amazon OC standing in for Donna Troy unleashed a plague on Earth that only affected men and it was putting all men in comas and the such and it left the only two women of a seven-person Justice League because of course there were only two women to deal with it and save the world... well half of it. It was broad strokes of feminism as written by men which included Diana being the strawwoman feminist who couldn’t understand if losing men (including her friends???) would doom society and Hawkgirl being the relatable cool egalitarian alien bird woman to be all “guuurrrrrlllll you need to respect men more”. It’s like. The episode i remember the most from my childhood and I hate it with the burning passion of a thousand suns.

Apparently I’m not the only one who remembers it however because that... that is the plot of this storyline. I don’t know why they couldn’t just bring back the ebola plague from Batman: Contagion which was a legitimately good storyline I like but we’re doing the... gender specific plague.

Are they going to address trans men and women? How is this disease preying specifically on men? Is it magical in origin and that why it follows no rules? Why is Lois here? Is Wonder Woman here just because of that Justice League episode?

I don’t know.

I appreciate that we didn’t waste a whole lot of time with Batwoman’s squad duking it out with Babsgirl’s squad over whether or not antiheroes who.... one of which she’s worked with before and... another of which she knows for a fact is... engaged to her cousin. But whatever. Also Steph in her post-Belfry uniform is... going along with this okay. I’m picking too much but there’s a lot of what in those four pages.

I do appreciate that the dialogue seemed to match everyone’s character very well, and Oliver and Dinah were hysterical and lovable together. .... But damn is it difficult to wrap my head around Babs’ character anymore. Like literally falling to her knees and tearing up begging Poison Ivy (who she was friends with in the previous BoP???? which is sitll canon bc they bring it up???) to help because “people she loves” are affected by the disease like. It’s the antithesis of the Babs I knew and was familiar with and admired in the day but. I guess that’s the Babs we have now. And I’m just... supposed to roll with it I guess.

Also enjoyed Helena being a teacher again, that was awesome. Even if her calling up Dick instead of Babs was... still difficult to process but whatever.

Art: It’s good! Really consistent, the lineart was sometimes a little softer than I prefer, but there were varied bodytypes and lots of good action sequences handled concisely enough that it didn’t feel like panel space was wasted. I really enjoyed it overall.

Marvel’s Captain America - Marvel Legacy Primer Page Robbie Thompson, Valerio Schiti

I have been pretty vocal in my disdain for how Marvel has handled Cap for the last two years and I join pretty much everyone in a chorus of “how can you misunderstand something so bad” but at the same time I’m... just tired. And it’s hard to even be excited at the fact that the reign of Spencer is over because it feels like the enjoyment and interest I’ve felt for Cap for all this time is simply used up. which is why a primer like this is really something that I needed. I needed to see a reminder that Cap punches Nazis and Hydra and Marvel -- or at least some people at Marvel remember that still. I don’t want that history gone, cosmic cubed or otherwise. And given Waid and Samnee’s interviews it seems they’re going to push for just that.

Here’s hoping they accomplish it because even these three pages of Cap acting like Cap again was enough to make me smile at least a little.

Marvel’s Guardians of the Galaxy - Marvel Legacy Primer Page Robbie Thompson, Marcus To

If I was going for snark and snark alone here I would begin and end this with “why is Scott Lang here” because no really why is Scott Lang with the Guardians of the Galaxy. And it’s something I shouldn’t be asking because I really have still -- even in liking the movies as much as I do -- not found myself any more persuaded to read into the space opera stuff over at Marvel. It’s just not something I want in my life right now.

Marcus To’s art is very nice, though, and usually worth it on its own. Even if I’m beginning to notice a touch of samefaceness in the art style At least it’s a very pretty face.

Marvel’s Immortal Iron Fists (2017) #6 (of 6) Kaare Andrews, Afu Chan, Shelly Ghen

Immortal Iron Fists has come to an end and I’m both saddened and yet incredibly enthusiastic about how everything turned out!

Story: So I feel like it should not have taken the better part of 5 issues for me learn that Pei and her friends are sixteen and not... middle schoolers despite how they were drawn and how they acted as way way younger than that. But the more I thought about it, the more I realized that... it’s not that they’re drawn or written younger, it’s that it’s that unusual to find an American comic that actually shows teenagers appropriately and that helped me gain a whole new respect for a series that I was already very much enjoying.

Everyone coming together and remembering Pei for the impact we have seen her make in their lives, Pei fully realizing her power as Iron Fist, and the general fun of a huge climactic battle that was a three way fight between Pei, demons, and the Mother of All Dragons is probably one of the most bombastic that can be asked for. And I love that Brenda made a comeback after her truly terrible exit from the finale of Immortal Iron Fist under Andrews, but at the same time don’t... really care for how it wasn’t set until last issue.

All the positives of this story almost make me overlook the unnecessary, though appreciably subverted, kiss of life Pei gives her guy friend and I love that Danny, man serial dater that he is, is flumexed by this turn of events.

Everything is fun and delightful and I really really appreciate how dedicated this comic was from beginning to end to be Pei’s story and not letting that focus escape it the entirety of the six issues.

Also Brenda flying off on the Mother of All Dragons at the end and being like stfu Danny you ruined a good thing was hysterical and I loved it.

Art: There was definitely more production in this finale There seemed to be a lot more variation in coloring and textures, and even the characters seemed to keep almost perfectly on model the entire time. The one distraction of note, though, was that Pei... developed more into a traditional teenager look by the end... by which I mean.... boobs are now a thing and I’m not sure if it was just that she wore thicker clothes throughout the story or if it was because much like myself, the art team realized last issue for the first time that Pei was a sixteen year old and not... twelve. Anyway. It was a little distracting, but the increase in panel variation and high number of action sequences definitely made the story far more fulfilling in my view.

DC’s New Super-Man (2016-present) Vol. 2: Coming to America Gene Luen Yang, Billy Tan, Viktor Bogdanovic

After what felt like a long wait, we join Kenan and the rest of the Justice League of China once more on a bombastic quest as written by Gene Luen Yang. And much like last time, the results are rather unexpected and honestly kind of remarkable.

Story: Going off of my experiences with Yang’s work, I really feel like his passion in storytelling lies in finding the balance between the question of identity and how identity is formed by the cultures that nurtured us and how it is formed by the influences of the cultures around us. I think that was the main focus of American Born Chinese but it really is beginning to shine through Kenan’s adventures here as the New Super-Man and how much of the titular’s character is being drawn from the two huge influences he is feeling -- the pressures and dangers of the Chinese government and culture, and the admiration and sometimes oppressive shadows of the American culture that he is both attempting to copy as Super-Man and attempting to circumvent by finding the focus of his powers in Chinese philosophies and values.

And I think that’s where his supporting cast -- Wonder-Woman and Bat-Man and now also Avery Ho’s take on the Flash -- are really coming into play. While Kenan is being torn back and forth by his responsibilities and his bombastic self-absorption both in his internal conflict and his external conflict of learning the truth of his parents, we are getting a broader exposure to what being a superhero in China means as opposed to the normalcy we’ve come to expect from Western comics.

Bat-Man is just as influenced by his family as Batman, but the pressures are more in the focus on building his exceptionalism and in differing from his sister on whether to stay within a system that robs children of their childhoods and individuals of their sense of self, or to find purpose within that system and excel based upon the traits which only he can bring.

Wonder-Woman, like Wonder Woman, is derived from myth and legend but instead of a Western legacy, it is purely Chinese and her alienation and stand offish nature initially toward the rest of her team only makes that much more sense given what has brought her to her current state. She is a myth, a legend herself, but she is nearly forgotten by the current times -- Kenan even has to be told the story of her origins by Bat-Man -- and her finding the will to fit into a China that is so influenced by external cultures and influences are a struggle we’re only now beginning to appreciate.

And finally, with Flash, a Chinese-American, we’re going to receive yet another wild perspective, and considering Kenan’s already developing friendship with Avery I imagine that this is a perspective that will only receive more focus in stories to come. And I perceive that Yang’s inclinations to reference the struggles of culture and self-identity are going to be explored further here.

All around i greatly enjoyed this volume and am looking forward to the continuation now that Kenan has finally learned the truth about his family. There are a lot of interesting new angles to explore and I hope we do just that.

Art: The art is really reminiscent of Greg Capullo’s run on Batman, but has a whole lot more color and variety breathed into it which I personally really appreciate. The colors do a good job of presenting the differences in everyone’s base personalities and also makes the action sequences easier to follow even as the action itself becomes increasingly complex. The page layouts were fairly reserved considering the DC standard lately, but I personally appreciated it because it kept the focus on the storytelling and in doing so enhanced the nuances therein.

Great work all around, and yet another enjoyable volume.

Image’s Rat Queens (2013-present) Vol. 4: High Fantasies Kurtis J. Wiebe, Owen Gieni, Ryan Ferrier

I only recently jumped on the barge for Rat Queens and I’ve been more than happy with the results of caving to the advice of many friends. Because what is better than female-full cast of hilarious and dramatic DnD like adventures with more swearing than a naval ship? I gotta say, not much!

Story: So compared to the previous volumes, I actually found High Fantasies to feel like it had a lot less at stake. Although part of that may just be that I was somewhat anticipating a Betty-centric volume finally to elevate her out of being the shroom eating comic relief and bring more of the assassination attempts and her outlaw past into the forefront. And that’s clearly a problem of my own expectations and not necessarily the story’s fault itself. That said, the focus on Vol. 4 being on a gender bent loser version of the Rat Queens was pretty funny but also not something I would have thought carried enough weight to pivot as the main plot, but that would be just me.

I do appreciate Braga being in a larger role this time around, and really I wish we could see more less human creatures on the roster in general. It was also a huge heartwarming feeling to have Hannah more comfortable around her Queens and even showing some horns now and then in public. It feels like a huge progression of her character, even as she spends a fair amount of time earning the girls’ ire and.... walking in on naked mayors. As you do.

Basically Vol. 4 isn’t as character centric as the previous volumes have been, but it is a great adventure that feels like a good ol’ fashion DnD campaign with the friends you love at the helm and for fantasy nerds like me that’s more than enough to bring me back into the story.

Art: The art is always spectacular with Rat Queens, but I did find that this volume -- mostly as a result of not going to as many unestablished and important/original locations, did have a significant lack f inventive background use. That’s not always a slam on art, really the art was very good, and I actually am just... happy to not have Upchurch as the artist, honestly. That alone is worth three and a half gold stars. Though the whole controversy there is still my largest apprehension with the series at this point.

DC’s Red Hood and the Outlaws (2016-present) Vol. 2: Who is Artemis? Scott Lobdell, Dexter Soy, Kenneth Rocafort

Okay who authorized this? Who made this comic exist and who made it be actually good?? Because I didn’t and I feel offended at the amount of emotions that were forced upon me in this single volume of a comic written by Scott friggin’ Lobdell of all people. You couldn’t have told me a month ago that I would be enjoying anything that was remotely connected to Scott Lobdell and expect me not to laugh hard enough I’d bring myself to tears.

And yet here we are.

Story: Having learned a bit from how lackluster the attempts of balancing the concentration of the narrative was for his previous incarnations of the Outlaws, Lobdell somehow learned how to, y’know, write an ensemble narrative that is still heavily Jason Todd’s perspective, but does not lose any opportunities to expand on or even concentrate on the stories and character development of Bizarro and Artemis. oth of which are shockingly well handled and shockingly controlled, well paced, and interwoven into each other’s stories.

Like legitimately, did someone nab the Lobdell who wrote decent 90s Marvel comics and put him on this project? Because that feels like the kind of bizarre logic that would seem acceptable at this point.

Now, of course, it’s not perfect. Far from it. But at the end of the day we got an intriguing ongoing story, a team building exercise, Jason’s internal struggle personified both through his inner monologue and flashbacks, but also moments like his sparing of Bizarro whic not only didn’t have overly wordy exposition bringing attention to it, but was strong enough and meaningfully enough that from it alone we could see what Jason couldn’t: he is not as lost, he is not as amoral, and he’s not as cold as he has tried desperately to prove himself to be.

I actually found the take on Artemis and the Bana Mighdall pretty interesting in this retelling, and I like that we have a rogue Amazon as a new enemy for the team.

I can’t believe I’m saying this, but I’m super excited to see what will come after this.

Art: There was a range of artists, which is fine, the industry standard of pushing out these comics with the turnaround that they do does cause some disconnect, but for the most part an artist stayed for at least the completionof their storyline and then she was. And overall the trade still fel tconsistent, with some artists just standing out more than other.

Marvel’s Runaways (2017-present) #2 Rainbow Rowell, Kris Anka, Matthew Wilson

The new run of Runaways absolutely blew me away last month by shooting any and all expectations I had right through the skylight and beyond, so a good premise with beloved characters and a set in conflict really leads to a question of how do the pieces fall in order?

Story: I absolutely adore how Gert being the heart and glue of the family is being so blatantly emphasized throughout this (and that Old Lace is back). I also love that... honestly the trauma and lingering horrors Chase and Nico have survived in particular are being treated as real and damning in the eyes of someone who knew them only two years ago already. But most of all I love the emotional balance. Gert’s anger and disappointment are justified, but her crudeness and accusatory nature are also clearly shown as being wrong and too subjective. The important thing to her, and thus to the group, is to come together again. And I love that it is her prime motivation through and through.

That all being said, after such a bombastic first issue, it was a little difficult to have the momentum come to a halt so quickly. I don’t want to be taken wrong, I love issues where comics take their time and really meditate on the characters, their reactions to evens former and to come, and really develop relationships and the such. But it does feel a little unnatural to have that only two issues in when the previous issue was SO incredibly packed.

I’m still fascinated with where we can go from here and very excited to see that Victor, Xavin, and Klara might not be destined to eternal obsecurity like I assumed when the book was first announced.

Art: Honestly I’m still amazed at just how fantastic the art really is in this comci. .It’s SO good and the designs for all the characters are simply gorgeous. Though probably the best thing about all of it is the great coloring we see done here. Top notch.

Marvel’s Spider-Man - Marvel Legacy Primer Page Robbie Thompson, Valerio Schiti

I think I know less about what Marvel plans to do with Miles these days than Marvel knows what to do with Miles, which is horrifying because I just set that bar about as low as it could possibly have gone. But we.... have Rio Morales back which is the big reason I stopped keeping up with Miles to begin with so yay? I don’t know.

I feel like this primer is actually aimed at fans like me who got off the wagon back when the Ultimate title lost most of its steam both from killing off too many of Miles’ personal supporting cast and becoming too much about tertiary cast’s origins and then Peter Parker returning to life and stuff’s weird. This feels like a big neon sign that says “Things are back! The origin’s the same! Do not look behind the curtain!” It makes me curious but also apprehensive at the same time.

also can we get robbie thompson to write miles’ book and bendis let someone else write some books already jfc this was such a relief.

IDW’s Teenage Mutant Ninja Turtles Universe (2016-present) Vol. 2 Nick Pitarra, John Lees, Brahm Revel, Ryan Ferrier, Adam Gorham, Sophie Campbell, Bobby Curnow, Pablo Tunica

So unlike the rest of the reviews, Teenage Mutant Ninja Turtles Universe doesn’t really fit my review format since it’s more like a collection of vignettes across the TMNT universe that feed into the main book and each story is written and drawn by a different team, so it wouldn’t have that same cohesion.

As the giant Ninja Turtle fan that I am and probably always will be, I can’t get enough of the mythos and the characters in TMNT, so having a book that has a solid, even meditative point of just exploring smaller stories and little character developments that wouldn’t fit in the very tight and controlled narrative of the main title is something of a perfect godsend to me. I love it in concept and in execution.

One thing I worry about, however, is that there definitely seems to be a lot of stories here that feel necessary to keeping up with the main series. Such as the story of how Alopex and Angel ran into the Toad Baron and escaped -- that was a pretty crucial piece of information for the Eternals storyline a few issues back in the main book. So it feels like more and more, because of how tight and concentrated the main book is, they’re using books like Universe to fill in everything else, including buildup to larger more important narratives. And while that’s fine and even something I enjoy, it’s a move that will really push people to start being more choosy with their books. It’s much like keeping up with Transformers right now, and that tends to lead to some mixed bags. But I suppose we’ll trust and see.

At the end of the day, I have to pick the comics that really stuck with me the most. And while I was a little disappointed by a few titles this week, there was a pretty intense competition between the ones that genuinely caught me and made me really feel while reading them. And I think by that measurement I have to give the Pick of the Week this time around to the conclusion of Immortal Iron Fists. I was so worried about how this story could wrap everything up and it’s with mother flipping dragons that’s how. I love it. I love Pei and I love her being officially adopted by Danny who is TOTAL ridiculous dad now. This is the kind of Immortal Iron Fist I am happy to support.

As far as trades go... wow I for some reason was not anticipating getting slammed as much as I did, but I really didn’t feel like any of the books let me down. They were all pretty amazing and I felt like I also managed to incidentally cover the entire span of comic book genres and types in a matter of two days, which let’s admit it, pretty impressive. I feel like the new releases this week are honestly a harder competition than the single issues but twist my arm, surprising no one nearly as much as I’m surprising myself here, I have to pick Red Hood and the Outlaws for managing to be a comic that... is unexpectedly good and unexpectedly sincere and unexpectedly emotionally motivating in ways that I wish... more comics... were? I just. have a real hard time complimenting Lobdell after tearing his books a new one for..... six years straight now. But... thank you? for writing well? And making me feel things? For Jason Todd, Bizarro, and Artemis? Am I doing this right?

And those are the comics for this week! Did you happen to agree with me? Disagree? Think I missed out on picking up a comic that was good? I’d love to hear your thoughts.

But before I let you go, I have to (yes have to) plug once more:

I have exactly a month to pack up everything I own and move halfway across the country again which is not helping those financial crunches I mentioned before either.

As such, I really would appreciate if you enjoy my content or are interested in helping me out, please check out either my Patreon or PayPal. Every bit helps and I couldn’t thank you enough for enjoying and supporting my content.

You could also support me by going to my main blog, @renaroo, where I’ll soon be listing prices and more for art and writing commissions.

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#Rena Roundups #Wednesday Spoilers #SPOILERS #New Superman (2016 )#Red Hood and the Outlaws (2016 )#All New Guardians of the Galaxy (2017 )#Captain America (2017 )#Spiderman (2016 )#Immortal Iron Fists (2017)#Amazing Spiderman: Renew Your Vows (2016 )#All New Wolverine (2015 )#Runaways (2017 )#Batgirl and the Birds of Prey (2016 )#Rat Queens (2013 )

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renaroo · 8 years ago

Text

Wednesday Roundup

We have a new addition to the party this week! Ghostbusters 101 -- and I’m very excited to see where all our continuing stories lead us. So let’s look into ‘em without further ado...

DC’s Batman Beyond, DC’s Detective Comics, IDW’s Ghostbusters 101, Marvel’s Moon Girl and Devil Dinosaur, DC’s Wonder Woman

DC’s Batman Beyond (2016-present) #6 Dan Jurgens, Bernard Chang, Marcelo Maiolo

Well, I will give this comic one thing: it truly understands what attracts fans like me to Batman Beyond as a franchise to begin with: everyone giving Bruce crap for his stupid, stupid ideas and the consequences he doesn’t think out all of the way in canon. And Matt and Max are easily the best parts of each issue for that reason. That and Max’s undercut. The best things.

Alright, so I was completely accurate in my assumption last issue that the fact that every batboy in the franchise got a shoutout because it’s going to turn out that Damian has now been brought into the fold of the Beyond universe. And it’s probably going to have something to do either with the AI of the new Batsuit or with the plot from the DCAU where Ra’s takes over a younger descendent’s body in order to regain his own youth -- formerly it was Talia, now it is logically Damian.

mkay.

It still makes me angry that we don’t get shoutouts to Kate, Cass, Steph, Harper -- literally any woman in the franchise while the boys get every solitary universe but whatever.

Not really whatever, but I am willing to grant that the comic is still young and there’s an opportunity that as ‘Tec works to make the extended Batfamily’s stars rise, that they will receive some due credit in the Beyond timeline as well. Batgirls: Futures End anyone? Just food for thought.

Anyway. This was an enjoyable issue, but a rather quick read compared to everything else this week. Most, if not all, of the meat was put into that last page reveal because of course it was. But here’s hoping the pace picks up next issue now that everything’s out of the way.

DC’s Detective Comics (2016-present) #957 James Tynion IV, Christopher Sebela, Carmen Carnero, Karl Story

A one-shot issue? A complete story that focuses on character development and world building with previous setup being paid off and future setup being presented? Are we sure this is the Detective Comics run I’ve criticized for its pacing and drawn out stories for the past year? Are we sure this isn’t a bizarro world issue I got a hand on somehow?

Okay, all joking aside, I have been harsh on this run in the past but I think this issue proves pretty much everything I have critiqued before because Tynion, with help from Sebela, focuses on his strengths -- character, voice, simple storytelling devices, and presenting a critical opinion of the genre while also very much showing a love for it.

This is honestly why I have been baffled by people who have said they hated Tynion’s characterization of Steph in this run. I didn’t like how he wrote her in Batman and Robin Eternal, but almost everything in this issue embodies the parts of Steph I have loved about her character over the years. Striding the line between insider and outsider, loving and protecting Gotham while questioning and being critical of the harm Batman’s crusade has don, not wanting glory but still wanting to be be better and to help. She’s confident, she’s resourceful and clever, and yet there is a loneliness and sacrifice to how she’s chosen her path. And even if she doesn’t mention it directly, because we’ve followed Steph as she got to this point we know there’s still a question about how she’s affording her equipment, where she’s living, who she’s in contact with, whether or not she’s going to school.

This issue gave me so many feelings and it really does reward me for having confidence in the creative team seeming to have a plan and direction for Steph as a character. Something, I should note, I don’t always feel the most confidence with when it comes to this run thus far.

More comics like this, Tynion. I’m begging you.

IDW’s Ghostbusters 101 (2017-present) #3 Erik Burnham, Dan Shoening, Luis Antonio Delgado

On the basis of my three-issue policy, I am happy to say that I am as excited as I can be on the direction of IDW’s Ghostbusters 101. The quality of the Ghostbusters franchise as it’s been handled by IDW for over a decade now has always been among the top tier of comics and probably one of the more under appreciated productions of the medium. I mean, I read them but how many of you read them?

Erik Burnham has become the defining crafter of what I consider “my” Ghostbusters as it comes to the original cast, and I have been very excited to see how he and Dan Shoening translated the recent 2016 cast into the multiverse and into their distinct styles of writing. And I’m more than happy to say that it translates beautifully.

The team ups we’ve all been waiting for since the very first announcements of the rebooted movie has finally come...

And by that I mean that, finally, in the third issue, after two issues of buildup, we finally have some interactions between the Original Crew, the Real Crew, the EXTREME Crew, and now the Answer the Call Crew.

... See, one of the barriers for entry into these comics is you kind of have to accept that almost all the comics are written with the Big Picture in mind. Erik Burnham has always been a slow burn of a writer, and that was very much evidenced not only with my favorite of his Ghostbusters runs -- the Ghostbusters (2013-2014) run -- but especially in the IDW crossover of Ghostbusters/Teenage Mutant Ninja Turtles. He takes his time, and the buildup will have payoff, but it might be a bit slow to wait issue-by-issue for for some fans who want the immediate excitement of the characters interacting.

I mean, I’m a fan and I waited until I could read all three of the first issues together, if that tells you anything.

It is a joy, and worth picking up for fans. Just be aware of your tastes before judging too hard.

Marvel’s Moon Girl and Devil Dinosaur (2015-present) #19 Brandon Montclare, Natacha Bustos, Tamra Bonvillain

If you care about the future of the medium and about comics attracting younger fans, or just having goo wholesome comics for all ages, I have no idea why you aren’t already reading Moon Girl and Devil Dinosaur because it is just one of the prettiest, most inventive, and most genuine all-ages books that I’ve read in a long time.

Lunella and Devil have become such an iconic pair, and the beauty of this comic is how the effort and storytelling are treated with the authenticity and effort of “adult” aimed readers, including having Lunella’s point of view be prominent but obviously still marked by immaturity and lack of experience, while still very much at its heart being the story of a child in a world of superheroes, growing and learning and becoming herself even when she doesn’t necessarily know what that means.

The at is gorgeous, specifically the coloring of this issue is just jaw dropping, and getting Lunella into space and having her so attached to Devil to bring him along in a ridiculous but wonderful dinosaur-sized space suit is just amazing.

I love everything here in this comic and really hope those of you with kids in your lives or just the love of good superhero comics with unique tones and stories are picking this up already.

DC’s Wonder Woman (2016-present) #23 Greg Rucka, Liam Sharp, HI-FI

We’re coming to the end of Rucka’s amazing run and I’m just very grateful at the moment. I’m grateful to this run and I’m grateful that the Present Day stuff finally actually caught up in quality with the Past storylines because man it was super shaky for a while there. And it really took the whole picture unifying for it to really work for me and that’s probably going to mean that on re-read, at least for me, the parts I have been critical about when it comes to this run will read better.

...

Okay the racism won’t read better. Seriously, what was the point?

But Diana won with love. Veronica will still have a reason to be antagonistic with Wondy even though she saved her daughter. Diana and Hippolyta met each other again for at least momentarily. There were so many good things -- especially good conversations. Liam Sharp’s art was pretty top notch.

Just overall this was a good Beginning of the End, so to speak, and I’m really looking forward to where we go from here.

So the books this week were very different in tone and story overall, but it has to be said, with the maybe exception of Batman Beyond which still had a pretty prominent female characters feature, this week is really the week of Superheroines. And I love that. I love that we’re at a time and place in comics where women and girls are allowed to be so many varieties of characters and still heroic, still masters of their own stories, and still geared toward so many different tastes and audiences.

It really shows, at least for me, what’s going right with the industry at the moment, and I hope it progresses that way.

But it’s time for the pick of the week, and as much as I really enjoyed all the comics this week, I’m going to give this week’s pick to Detective Comics. It was a great stand alone, it was very focused and character driven, and it’s just so wonderful seeing Stephanie’s independence and more individualized view of justice getting to be front and center of a ‘Tec comic. The times where she was treated with this amount of respect as Spoiler were few and far between in the previous continuity and it’s good as a fan to see that the current creative team can love and appreciate the 2000s comics and draw from them while still adjusting and moving past their flaws.

But that’s just my opinion on today’s pull! Do you guys agree or disagree with me on any of them? Think I missed picking up something great? I’d love to hear from you! See you next week <3

#Rena Roundups #SPOILERS #Wednesday Spoilers #Batman Beyond (2016 )#Detective Comics (2016 )#Ghostbusters 101 #Moon Girl and Devil Dinosaur (2015 )#Wonder Woman (2016 )

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